The Nets of Modernism

Henry James, Virginia Woolf, James Joyce, and Sigmund Freud

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Social & Cultural Studies, Social Science
Cover of the book The Nets of Modernism by Maud Ellmann, Cambridge University Press
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Author: Maud Ellmann ISBN: 9780511861505
Publisher: Cambridge University Press Publication: September 30, 2010
Imprint: Cambridge University Press Language: English
Author: Maud Ellmann
ISBN: 9780511861505
Publisher: Cambridge University Press
Publication: September 30, 2010
Imprint: Cambridge University Press
Language: English

One of the finest literary critics of her generation, Maud Ellmann synthesises her work on modernism, psychoanalysis and Irish literature in this important new book. In sinuous readings of Henry James, James Joyce and Virginia Woolf, she examines the interconnections between developing technological networks in modernity and the structures of modernist fiction, linking both to Freudian psychoanalysis. The Nets of Modernism examines the significance of images of bodily violation and exchange - scar, bite, wound, and their psychic equivalents - showing how these images correspond to 'vampirism' and related obsessions in early twentieth-century culture. Subtle, original and a pleasure to read, this 2010 book offers a fresh perspective on the inter-implications of Freudian psychoanalysis and Anglophone modernism that will influence the field for years to come.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

One of the finest literary critics of her generation, Maud Ellmann synthesises her work on modernism, psychoanalysis and Irish literature in this important new book. In sinuous readings of Henry James, James Joyce and Virginia Woolf, she examines the interconnections between developing technological networks in modernity and the structures of modernist fiction, linking both to Freudian psychoanalysis. The Nets of Modernism examines the significance of images of bodily violation and exchange - scar, bite, wound, and their psychic equivalents - showing how these images correspond to 'vampirism' and related obsessions in early twentieth-century culture. Subtle, original and a pleasure to read, this 2010 book offers a fresh perspective on the inter-implications of Freudian psychoanalysis and Anglophone modernism that will influence the field for years to come.

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