The Names

Poems

Fiction & Literature, Poetry
Cover of the book The Names by Tim Lilburn, McClelland & Stewart
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Author: Tim Lilburn ISBN: 9780771048043
Publisher: McClelland & Stewart Publication: March 22, 2016
Imprint: McClelland & Stewart Language: English
Author: Tim Lilburn
ISBN: 9780771048043
Publisher: McClelland & Stewart
Publication: March 22, 2016
Imprint: McClelland & Stewart
Language: English

From Governor General's Award-winning poet Tim Lilburn comes a new collection of poetry of great scope and ambition.

The Names is personal and familial archaeology, an extemporal dig giving spectres back to their bodies. With its lines sped up and dazzlingly associative, Tim Lilburn’s cocktail of obsessions – confession, ontology, mystical theology, humour and extreme, fleet, apt weirdness – marches through on full display. He pulls in an even broader cast of characters than his previous collections managed: John Ruusbroec and Marguerite Porete brush past aunts, uncles, and unusual creatures steering the boats of language past fog-draped trees. In Lilburn’s latest collection, we are immersed in a realism of remarkable proportions, as though incandescent memory comprised both texture and text, and combined formed the elemental fibres of a perilous present.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

From Governor General's Award-winning poet Tim Lilburn comes a new collection of poetry of great scope and ambition.

The Names is personal and familial archaeology, an extemporal dig giving spectres back to their bodies. With its lines sped up and dazzlingly associative, Tim Lilburn’s cocktail of obsessions – confession, ontology, mystical theology, humour and extreme, fleet, apt weirdness – marches through on full display. He pulls in an even broader cast of characters than his previous collections managed: John Ruusbroec and Marguerite Porete brush past aunts, uncles, and unusual creatures steering the boats of language past fog-draped trees. In Lilburn’s latest collection, we are immersed in a realism of remarkable proportions, as though incandescent memory comprised both texture and text, and combined formed the elemental fibres of a perilous present.

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