The Music of Michael Nyman

Texts, Contexts and Intertexts

Nonfiction, Entertainment, Music
Cover of the book The Music of Michael Nyman by Pwyll ap Siôn, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Pwyll ap Siôn ISBN: 9781351542258
Publisher: Taylor and Francis Publication: July 5, 2017
Imprint: Routledge Language: English
Author: Pwyll ap Siôn
ISBN: 9781351542258
Publisher: Taylor and Francis
Publication: July 5, 2017
Imprint: Routledge
Language: English

Nyman's rise to international prominence during the last three decades has made him one of the world's most successful living composers. His music has nevertheless been criticized for its parasitic borrowing of other composers' ideas and for its relentless self-borrowing. In this first book-length study in English, Pwyll ap Si laces Nyman's writings within the general context of Anglo-American experimentalism, minimalism and post-minimalism, and provides a series of useful contexts from which controversial aspects of Nyman's musical language can be more clearly understood and appreciated. Drawing upon terms informed by intertextual theory in general, appropriation and borrowing are first introduced within the context of twentieth-century art music and theory. Intertextual concepts are explained and their terms defined before Nyman's musical language is considered in relation to a series of intertextual classifications and types. These types then form the basis of a more in-depth study of his works during the second half of the book, ranging from opera and chamber music to film. Rather than restricting style and technique, Nyman's intertextual approach, on the contrary, is shown to provide his music with an almost infinite amount of variety, flexibility and diversity, and this has been used to illustrate a wide range of technical, aesthetic and expressive forms. He composes with his ear towards the past as if it were a rich quarry to mine, working like a musical archaeologist, uncovering artefacts and chiselling fresh and vibrant sonic edifices out of them.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Nyman's rise to international prominence during the last three decades has made him one of the world's most successful living composers. His music has nevertheless been criticized for its parasitic borrowing of other composers' ideas and for its relentless self-borrowing. In this first book-length study in English, Pwyll ap Si laces Nyman's writings within the general context of Anglo-American experimentalism, minimalism and post-minimalism, and provides a series of useful contexts from which controversial aspects of Nyman's musical language can be more clearly understood and appreciated. Drawing upon terms informed by intertextual theory in general, appropriation and borrowing are first introduced within the context of twentieth-century art music and theory. Intertextual concepts are explained and their terms defined before Nyman's musical language is considered in relation to a series of intertextual classifications and types. These types then form the basis of a more in-depth study of his works during the second half of the book, ranging from opera and chamber music to film. Rather than restricting style and technique, Nyman's intertextual approach, on the contrary, is shown to provide his music with an almost infinite amount of variety, flexibility and diversity, and this has been used to illustrate a wide range of technical, aesthetic and expressive forms. He composes with his ear towards the past as if it were a rich quarry to mine, working like a musical archaeologist, uncovering artefacts and chiselling fresh and vibrant sonic edifices out of them.

More books from Taylor and Francis

Cover of the book Volume 11, Tome I: Kierkegaard's Influence on Philosophy by Pwyll ap Siôn
Cover of the book Business Ethics After the Global Financial Crisis by Pwyll ap Siôn
Cover of the book Transnational Ties by Pwyll ap Siôn
Cover of the book Cultures of Defiance and Resistance by Pwyll ap Siôn
Cover of the book False Inheritance by Pwyll ap Siôn
Cover of the book Border-crossing in Education by Pwyll ap Siôn
Cover of the book Charles Hallé: A Musical Life by Pwyll ap Siôn
Cover of the book Morality and Health by Pwyll ap Siôn
Cover of the book Identities on the Move by Pwyll ap Siôn
Cover of the book Community Psychology and the Schools by Pwyll ap Siôn
Cover of the book Le Francais en Faculte by Pwyll ap Siôn
Cover of the book Morality and Expediency by Pwyll ap Siôn
Cover of the book A Study of Children's Thinking by Pwyll ap Siôn
Cover of the book Social Work, Critical Reflection and the Learning Organization by Pwyll ap Siôn
Cover of the book Politics and Identity in Chinese Martial Arts by Pwyll ap Siôn
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy