The Modern Percussion Revolution

Journeys of the Progressive Artist

Nonfiction, Entertainment, Music, Instruments & Instruction, Percussion, General Instruments
Cover of the book The Modern Percussion Revolution by , Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781317976547
Publisher: Taylor and Francis Publication: July 17, 2014
Imprint: Routledge Language: English
Author:
ISBN: 9781317976547
Publisher: Taylor and Francis
Publication: July 17, 2014
Imprint: Routledge
Language: English

More than eighty years have passed since Edgard Varèse’s catalytic work for percussion ensemble, Ionisation, was heard in its New York premiere. A flurry of pieces for this new medium dawned soon after, challenging the established truths and preferences of the European musical tradition while setting the stage for percussion to become one of the most significant musical advances of the twentieth century. This 'revolution', as John Cage termed it, was a quintessentially modernist movement - an exploration of previously undiscovered sounds, forms, textures, and styles. However, as percussion music has progressed and become woven into the fabric of Western musical culture, several divergent paths, comprised of various traditions and a multiplicity of aesthetic sensibilities, have since emerged for the percussionist to pursue.

This edited collection highlights the progressive developments that continue to investigate uncharted musical grounds. Using historical studies, philosophical insights, analyses of performance practice, and anecdotal reflections authored by some of today's most engaged performers, composers, and scholars, this book aims to illuminate the unique destinations found in the artistic journey of the modern percussionist.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

More than eighty years have passed since Edgard Varèse’s catalytic work for percussion ensemble, Ionisation, was heard in its New York premiere. A flurry of pieces for this new medium dawned soon after, challenging the established truths and preferences of the European musical tradition while setting the stage for percussion to become one of the most significant musical advances of the twentieth century. This 'revolution', as John Cage termed it, was a quintessentially modernist movement - an exploration of previously undiscovered sounds, forms, textures, and styles. However, as percussion music has progressed and become woven into the fabric of Western musical culture, several divergent paths, comprised of various traditions and a multiplicity of aesthetic sensibilities, have since emerged for the percussionist to pursue.

This edited collection highlights the progressive developments that continue to investigate uncharted musical grounds. Using historical studies, philosophical insights, analyses of performance practice, and anecdotal reflections authored by some of today's most engaged performers, composers, and scholars, this book aims to illuminate the unique destinations found in the artistic journey of the modern percussionist.

More books from Taylor and Francis

Cover of the book Routledge Handbook of Disability Law and Human Rights by
Cover of the book Writing Englishness: An Introductory Sourcebook by
Cover of the book Building Chaos by
Cover of the book Is There a Duty to Die? by
Cover of the book Resource-Based Learning for Higher and Continuing Education by
Cover of the book Madness as Methodology by
Cover of the book In Search of an Identity by
Cover of the book The Routledge Handbook of Family Communication by
Cover of the book Civil Disobedience: An Encyclopedic History of Dissidence in the United States by
Cover of the book Civic Catechisms and Reason in the French Revolution by
Cover of the book Observing Young Children by
Cover of the book Alternative Shakespeare Auditions for Women by
Cover of the book Using Games and Simulations in the Classroom by
Cover of the book Anyone Can Do It: Empowerment, Tradition and the Punk Underground by
Cover of the book Postcolonial Theory and International Relations by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy