The Mirabelles

Fiction & Literature, Poetry
Cover of the book The Mirabelles by Annie Freud, Pan Macmillan
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Author: Annie Freud ISBN: 9781447218210
Publisher: Pan Macmillan Publication: December 22, 2011
Imprint: Picador Language: English
Author: Annie Freud
ISBN: 9781447218210
Publisher: Pan Macmillan
Publication: December 22, 2011
Imprint: Picador
Language: English

Annie Freud’s award-winning first collection, The Best Man That Ever Was, introduced readers to a remarkably versatile new voice; The Mirabelles delivers a similarly exhilarating cornucopia – the Mask of Temporary Madness, Marc Almond, mini-novels a sonnet long, Carottes Vichy, and the most gripping account of a billiard game you’ll ever read. However, in a new sequence derived from family letters, Freud has invented almost a new kind of writing: neither ‘found’ nor ‘made’ in the conventional sense, these poems are profoundly moving, and startling in their boldly unfashionable lack of irony.

Elsewhere The Mirabelles is full of the world-stuff – the clothes and food, the art and social intrigues – with which we dress and conceal our deeper emotions and appetites. In the end, this is a book about reality and its representations, and the truth and lies we tell about ourselves.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Annie Freud’s award-winning first collection, The Best Man That Ever Was, introduced readers to a remarkably versatile new voice; The Mirabelles delivers a similarly exhilarating cornucopia – the Mask of Temporary Madness, Marc Almond, mini-novels a sonnet long, Carottes Vichy, and the most gripping account of a billiard game you’ll ever read. However, in a new sequence derived from family letters, Freud has invented almost a new kind of writing: neither ‘found’ nor ‘made’ in the conventional sense, these poems are profoundly moving, and startling in their boldly unfashionable lack of irony.

Elsewhere The Mirabelles is full of the world-stuff – the clothes and food, the art and social intrigues – with which we dress and conceal our deeper emotions and appetites. In the end, this is a book about reality and its representations, and the truth and lies we tell about ourselves.

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