The Men Who Knew Too Much

Henry James and Alfred Hitchcock

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts, Fiction & Literature, Literary Theory & Criticism
Cover of the book The Men Who Knew Too Much by , Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9780199910571
Publisher: Oxford University Press Publication: December 19, 2011
Imprint: Oxford University Press Language: English
Author:
ISBN: 9780199910571
Publisher: Oxford University Press
Publication: December 19, 2011
Imprint: Oxford University Press
Language: English

Henry James and Alfred Hitchcock knew too much. Self-imposed exiles fully in the know, they approached American and European society as inside-outsiders, a position that afforded them a kind of double vision. Masters of their arts, manipulators of their audiences, prescient and pathbreaking in their techniques, these demanding and meticulous artists fiercely defended authorial and directorial control. Their fictions and films are obsessed with knowledge and its powers: who knows what? What is there to know? The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James. A wide-range of approaches offer fresh insights about spectatorship, narrative structure, and cinematic representation, as well as the relationship between technology and art, the powers of silence, sensory-and sensational-experiences, the impact of cognition, and the uncertainty of interpretation. The essays explore the avowal and disavowal of familial bonds, as well as questions of Victorian convention, female agency, and male anxiety. And they fruitfully engage issues related to patriarchy, colonialism, national, transnational, and global identities. The capacious collection, with its brilliant insights and intellectual surprises, is equally compelling in its range and cogency for James readers and film theorists, for Hitchcock fans and James scholars.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Henry James and Alfred Hitchcock knew too much. Self-imposed exiles fully in the know, they approached American and European society as inside-outsiders, a position that afforded them a kind of double vision. Masters of their arts, manipulators of their audiences, prescient and pathbreaking in their techniques, these demanding and meticulous artists fiercely defended authorial and directorial control. Their fictions and films are obsessed with knowledge and its powers: who knows what? What is there to know? The Men Who Knew Too Much innovatively pairs these two greats, showing them to be at once classic and contemporary. Over a dozen major scholars and critics take up works by James and Hitchcock, in paired sets, to explore the often surprising ways that reading James helps us watch Hitchcock and what watching Hitchcock tells us about reading James. A wide-range of approaches offer fresh insights about spectatorship, narrative structure, and cinematic representation, as well as the relationship between technology and art, the powers of silence, sensory-and sensational-experiences, the impact of cognition, and the uncertainty of interpretation. The essays explore the avowal and disavowal of familial bonds, as well as questions of Victorian convention, female agency, and male anxiety. And they fruitfully engage issues related to patriarchy, colonialism, national, transnational, and global identities. The capacious collection, with its brilliant insights and intellectual surprises, is equally compelling in its range and cogency for James readers and film theorists, for Hitchcock fans and James scholars.

More books from Oxford University Press

Cover of the book Singing God's Words by
Cover of the book Mindlessness by
Cover of the book Slow Media by
Cover of the book Understanding Body Dysmorphic Disorder by
Cover of the book Animal Anatomy for Artists by
Cover of the book Nightmare in Red by
Cover of the book Philosophies of Qualitative Research by
Cover of the book With Passionate Voice by
Cover of the book The Making of a Patriot by
Cover of the book The Pakistan Paradox by
Cover of the book Sociocultural Theory Second Language Learning - Oxford Applied Linguistics by
Cover of the book Climate Change Impacts on Ocean and Coastal Law by
Cover of the book The Woman's Guide to Managing Migraine by
Cover of the book Nietzsche's New Darwinism by
Cover of the book Taking Sudoku Seriously by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy