The Mapping of Power in Renaissance Italy

Painted Cartographic Cycles in Social and Intellectual Context

Nonfiction, Social & Cultural Studies, Political Science, Politics, History & Theory, Art & Architecture, General Art, Social Science
Cover of the book The Mapping of Power in Renaissance Italy by Mark Rosen, Cambridge University Press
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Author: Mark Rosen ISBN: 9781316213391
Publisher: Cambridge University Press Publication: November 28, 2014
Imprint: Cambridge University Press Language: English
Author: Mark Rosen
ISBN: 9781316213391
Publisher: Cambridge University Press
Publication: November 28, 2014
Imprint: Cambridge University Press
Language: English

How did maps of the distant reaches of the world communicate to the public in an era when exploration of those territories was still ongoing and knowledge about them remained incomplete? And why did Renaissance rulers frequently commission large-scale painted maps of those territories when they knew that they would soon be proven obsolete by newer, more accurate information? The Mapping of Power in Renaissance Italy addresses these questions by bridging the disciplines of art history and the histories of science, cartography, and geography to closely examine surviving Italian painted maps that were commissioned during a period better known for its printed maps and atlases. Challenging the belief that maps are strictly neutral or technical markers of geographic progress, this well-illustrated study investigates the symbolic and propagandistic dimensions of these painted maps as products of the competitive and ambitious European court culture that produced them.

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How did maps of the distant reaches of the world communicate to the public in an era when exploration of those territories was still ongoing and knowledge about them remained incomplete? And why did Renaissance rulers frequently commission large-scale painted maps of those territories when they knew that they would soon be proven obsolete by newer, more accurate information? The Mapping of Power in Renaissance Italy addresses these questions by bridging the disciplines of art history and the histories of science, cartography, and geography to closely examine surviving Italian painted maps that were commissioned during a period better known for its printed maps and atlases. Challenging the belief that maps are strictly neutral or technical markers of geographic progress, this well-illustrated study investigates the symbolic and propagandistic dimensions of these painted maps as products of the competitive and ambitious European court culture that produced them.

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