The Magic Lantern of Marcel Proust
A Critical Study of Remembrance of Things Past
Fiction & Literature, Literary Theory & Criticism, French, European, Literary
| Author: | Howard Moss, Damion Searls | ISBN: | 9781589882874 |
| Publisher: | Paul Dry Books | Publication: | October 27, 2015 |
| Imprint: | Language: | English |
| Author: | Howard Moss, Damion Searls |
| ISBN: | 9781589882874 |
| Publisher: | Paul Dry Books |
| Publication: | October 27, 2015 |
| Imprint: | |
| Language: | English |
"[The Magic Lantern of Marcel Proust] reduces the ungainly and intricately designed masterpiece to its shape, and with hardly a wasted word...The paragraphs on habit and memory are truly wonderful—wonderful as explication, as psychology, and as philosophy."—John Updike
"Almost everything Moss says seems to me right, illuminating, and new. This is the book of a mature and individual mind and sensibility, with a deep experience of moral, social, psychological, and aesthetic values which is rare among critics." —George D. Painter
"A moving and inspiring book. Moss clears away dark corners, clarifies motivations, and places the huge work within the reader's perspective. A book of great value to the scholar and the general reader." —Publishers Weekly
"Remembrance of Things Past is more than a novel; it is a work in which a single person's life is transformed into a mythology, with its own pantheon of gods, its own religious rituals, and its own moral laws. A total vision, it does not rely on any system outside itself for support. It is as if Dante had set out to write theParadiso and the Inferno utilizing only the facts of his own existence without any reference to Christianity...Other novelists describe or invent worlds. Remembrance of Things Past is an entire universe created and interpreted by Marcel Proust." — from Chapter 1
"Moss lays out the sweeping claims and overarching structure ofRemembrance of Things Past—the significance of Swann's Way and the Guermantes Way, or why there are such long party scenes—and is equally good at bringing to light all sorts of tiny, revealing details." — from the new Foreword by Damion Searls
Howard Moss was poetry editor of the New Yorker for almost forty years. He also wrote more than a dozen books of poetry, plays, criticism, and a book of arch parody-microbiographies of cultural figures, Instant Lives, illustrated by Edward Gorey.
Damion Searls is the author of What We Were Doing and Where We Were Going (stories) and has written for Harper’s,Bookforum, n+1, and The Believer. As a translator—of authors including Marcel Proust (On Reading)—he received a Guggenheim Fellowship in 2012.
"[The Magic Lantern of Marcel Proust] reduces the ungainly and intricately designed masterpiece to its shape, and with hardly a wasted word...The paragraphs on habit and memory are truly wonderful—wonderful as explication, as psychology, and as philosophy."—John Updike
"Almost everything Moss says seems to me right, illuminating, and new. This is the book of a mature and individual mind and sensibility, with a deep experience of moral, social, psychological, and aesthetic values which is rare among critics." —George D. Painter
"A moving and inspiring book. Moss clears away dark corners, clarifies motivations, and places the huge work within the reader's perspective. A book of great value to the scholar and the general reader." —Publishers Weekly
"Remembrance of Things Past is more than a novel; it is a work in which a single person's life is transformed into a mythology, with its own pantheon of gods, its own religious rituals, and its own moral laws. A total vision, it does not rely on any system outside itself for support. It is as if Dante had set out to write theParadiso and the Inferno utilizing only the facts of his own existence without any reference to Christianity...Other novelists describe or invent worlds. Remembrance of Things Past is an entire universe created and interpreted by Marcel Proust." — from Chapter 1
"Moss lays out the sweeping claims and overarching structure ofRemembrance of Things Past—the significance of Swann's Way and the Guermantes Way, or why there are such long party scenes—and is equally good at bringing to light all sorts of tiny, revealing details." — from the new Foreword by Damion Searls
Howard Moss was poetry editor of the New Yorker for almost forty years. He also wrote more than a dozen books of poetry, plays, criticism, and a book of arch parody-microbiographies of cultural figures, Instant Lives, illustrated by Edward Gorey.
Damion Searls is the author of What We Were Doing and Where We Were Going (stories) and has written for Harper’s,Bookforum, n+1, and The Believer. As a translator—of authors including Marcel Proust (On Reading)—he received a Guggenheim Fellowship in 2012.
