The Language of Film

Nonfiction, Entertainment, Film, Reference, Direction & Production, Performing Arts
Cover of the book The Language of Film by Robert Edgar, John Marland, Steven Rawle, Bloomsbury Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Robert Edgar, John Marland, Steven Rawle ISBN: 9781474249225
Publisher: Bloomsbury Publishing Publication: August 27, 2015
Imprint: Fairchild Books Language: English
Author: Robert Edgar, John Marland, Steven Rawle
ISBN: 9781474249225
Publisher: Bloomsbury Publishing
Publication: August 27, 2015
Imprint: Fairchild Books
Language: English

An effective filmmaker needs to have a good understanding of how film language works, and more importantly, how to actively influence an audience's thoughts and feelings and guide their gaze around the screen.

Packed with examples from classic and contemporary cinema, The Language of Film reveals the essential building blocks of film and explains how the screen communicates meaning to its audience. You will learn about fundamental theories and concepts, including film semiotics, narrative structures, ideology, and genre, as well as how elements such as shot size, camera movement, editing technique, and color come together to create the cinematic image.

With insightful case studies and discussion questions, dozens of practical tips and exercises, and a new chapter on film sound, this new edition of The Language of Film is a must-have guide for aspiring filmmakers.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

An effective filmmaker needs to have a good understanding of how film language works, and more importantly, how to actively influence an audience's thoughts and feelings and guide their gaze around the screen.

Packed with examples from classic and contemporary cinema, The Language of Film reveals the essential building blocks of film and explains how the screen communicates meaning to its audience. You will learn about fundamental theories and concepts, including film semiotics, narrative structures, ideology, and genre, as well as how elements such as shot size, camera movement, editing technique, and color come together to create the cinematic image.

With insightful case studies and discussion questions, dozens of practical tips and exercises, and a new chapter on film sound, this new edition of The Language of Film is a must-have guide for aspiring filmmakers.

More books from Bloomsbury Publishing

Cover of the book A Poet's Notebook by Robert Edgar, John Marland, Steven Rawle
Cover of the book Around the World in 80 Trains by Robert Edgar, John Marland, Steven Rawle
Cover of the book Operation Linebacker II 1972 by Robert Edgar, John Marland, Steven Rawle
Cover of the book When God Was a Rabbit by Robert Edgar, John Marland, Steven Rawle
Cover of the book The Romantic Adventures of Mr. Darby and of Sarah His Wife by Robert Edgar, John Marland, Steven Rawle
Cover of the book Eternal Chalice by Robert Edgar, John Marland, Steven Rawle
Cover of the book The Triple Echo by Robert Edgar, John Marland, Steven Rawle
Cover of the book Oral Tradition and the New Testament by Robert Edgar, John Marland, Steven Rawle
Cover of the book I Went to See Santa by Robert Edgar, John Marland, Steven Rawle
Cover of the book Spirit Possession and Trance by Robert Edgar, John Marland, Steven Rawle
Cover of the book Cross Veneration in the Medieval Islamic World by Robert Edgar, John Marland, Steven Rawle
Cover of the book John Kasper and Ezra Pound by Robert Edgar, John Marland, Steven Rawle
Cover of the book Cherbourg 1944 by Robert Edgar, John Marland, Steven Rawle
Cover of the book Lincoln’s 90-Day Volunteers 1861 by Robert Edgar, John Marland, Steven Rawle
Cover of the book Blunder by Robert Edgar, John Marland, Steven Rawle
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy