The Jumbies' Playing Ground

Old World Influences on Afro-Creole Masquerades in the Eastern Caribbean

Nonfiction, History, Americas, Caribbean & West Indies, Social & Cultural Studies, Social Science, Folklore & Mythology
Cover of the book The Jumbies' Playing Ground by Robert Wyndham Nicholls, University Press of Mississippi
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Author: Robert Wyndham Nicholls ISBN: 9781617036125
Publisher: University Press of Mississippi Publication: September 14, 2012
Imprint: University Press of Mississippi Language: English
Author: Robert Wyndham Nicholls
ISBN: 9781617036125
Publisher: University Press of Mississippi
Publication: September 14, 2012
Imprint: University Press of Mississippi
Language: English

During the masquerades common during carnival time, jumbies (ghosts or ancestral spirits) are set free to roam the streets of Caribbean nations, turning the world topsy-turvy. Modern carnivals, which evolved from earlier ritual celebrations featuring disguised performers, are important cultural and economic events throughout the Caribbean, and are a direct link to a multilayered history.


This work explores the evolutionary connections in function, garb, and behavior between Afro-Creole masquerades and precursors from West Africa, the British Isles, and Western Europe. Robert Wyndham Nicholls utilizes a concept of play derived from Africa to describe a range of lighthearted and ritualistic activities. Along with Old World seeds, he studies the evolution of Afro-Creole prototypes that emerged in the Eastern Caribbean--bush masquerades, stilt dancers, animal disguises, she-males, female masquerades, and carnival clowns.


Masquerades enact social, political, and spiritual roles within recurring festivals, initiations, wakes, skimmingtons, and weddings. The author explores performance in terms of abstraction in costume-disguise and the aesthetics of music, songs, drum-rhythms, dance, and licentiousness. He reveals masquerades as transformative agent, ancestral endorser, behavior manager, informal educator, and luck conferrer.

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During the masquerades common during carnival time, jumbies (ghosts or ancestral spirits) are set free to roam the streets of Caribbean nations, turning the world topsy-turvy. Modern carnivals, which evolved from earlier ritual celebrations featuring disguised performers, are important cultural and economic events throughout the Caribbean, and are a direct link to a multilayered history.


This work explores the evolutionary connections in function, garb, and behavior between Afro-Creole masquerades and precursors from West Africa, the British Isles, and Western Europe. Robert Wyndham Nicholls utilizes a concept of play derived from Africa to describe a range of lighthearted and ritualistic activities. Along with Old World seeds, he studies the evolution of Afro-Creole prototypes that emerged in the Eastern Caribbean--bush masquerades, stilt dancers, animal disguises, she-males, female masquerades, and carnival clowns.


Masquerades enact social, political, and spiritual roles within recurring festivals, initiations, wakes, skimmingtons, and weddings. The author explores performance in terms of abstraction in costume-disguise and the aesthetics of music, songs, drum-rhythms, dance, and licentiousness. He reveals masquerades as transformative agent, ancestral endorser, behavior manager, informal educator, and luck conferrer.

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