| Author: | Christopher Marlowe | ISBN: | 1230000391870 |
| Publisher: | Bronson Tweed Publishing | Publication: | April 27, 2015 |
| Imprint: | Language: | English |
| Author: | Christopher Marlowe |
| ISBN: | 1230000391870 |
| Publisher: | Bronson Tweed Publishing |
| Publication: | April 27, 2015 |
| Imprint: | |
| Language: | English |
The Jew of Malta is a drama by Christopher Marlowe, probably written in 1589 or 1590. Its plot is an original story of religious conflict, intrigue, and revenge, set against a backdrop of the struggle for supremacy between Spain and the Ottoman Empire in the Mediterranean that takes place on the island of Malta. The Jew of Malta is considered to have been a major influence on William Shakespeare's The Merchant of Venice.
The title character, Barabas, is a complex character likely to provoke mixed reactions in an audience. Like Marlowe's other protagonists, such as Tamburlaine and Doctor Faustus, he dominates the play's action. There has been extensive debate about the play's portrayal of Jews and how Elizabethan audiences would have viewed it.
This edition has been formatted for your reader, with an active table of contents. It has also been annotated, with extensive additional information about the play, including an overview, performance information, versions, sources, structure, synopsis, biographical and bibliographical information.
The Jew of Malta is a drama by Christopher Marlowe, probably written in 1589 or 1590. Its plot is an original story of religious conflict, intrigue, and revenge, set against a backdrop of the struggle for supremacy between Spain and the Ottoman Empire in the Mediterranean that takes place on the island of Malta. The Jew of Malta is considered to have been a major influence on William Shakespeare's The Merchant of Venice.
The title character, Barabas, is a complex character likely to provoke mixed reactions in an audience. Like Marlowe's other protagonists, such as Tamburlaine and Doctor Faustus, he dominates the play's action. There has been extensive debate about the play's portrayal of Jews and how Elizabethan audiences would have viewed it.
This edition has been formatted for your reader, with an active table of contents. It has also been annotated, with extensive additional information about the play, including an overview, performance information, versions, sources, structure, synopsis, biographical and bibliographical information.
