The Homeric Simile in Comparative Perspectives

Oral Traditions from Saudi Arabia to Indonesia

Fiction & Literature, Poetry, Literary Theory & Criticism, Nonfiction, Social & Cultural Studies, Social Science
Cover of the book The Homeric Simile in Comparative Perspectives by Jonathan L. Ready, OUP Oxford
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Author: Jonathan L. Ready ISBN: 9780192523488
Publisher: OUP Oxford Publication: December 8, 2017
Imprint: OUP Oxford Language: English
Author: Jonathan L. Ready
ISBN: 9780192523488
Publisher: OUP Oxford
Publication: December 8, 2017
Imprint: OUP Oxford
Language: English

The Homeric Simile in Comparative Perspectives: Oral Traditions from Saudi Arabia to Indonesia investigates both the construction of the Homeric simile and the performance of Homeric poetry from neglected comparative perspectives, offering a revealing exploration of what made the epics such powerful examples of verbal artistry. Divided into two Parts, the volume first considers similes in five modern-day oral poetries - Rajasthani epic, South Sumatran epic, Kyrgyz epic, Bosniac epic, and Najdi lyric poems from Saudi Arabia - and studies successful performances by still other verbal artists, such as Egyptian singers of epic, Turkish minstrels, and Chinese storytellers. By applying these findings to the Homeric epics, the second Part presents a new take on how the Homeric poet put together his similes and alters our understanding of how the poet displayed his competence as a performer of verbal art and interacted with his poetic peers and predecessors. Engaging intensively with a diverse array of scholarship from outside the field of classical studies, from folkloristics to cognitive linguistics, this truly interdisciplinary volume transforms how we view not only a central feature of Homeric poetry but also the very nature of Homeric performance.

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The Homeric Simile in Comparative Perspectives: Oral Traditions from Saudi Arabia to Indonesia investigates both the construction of the Homeric simile and the performance of Homeric poetry from neglected comparative perspectives, offering a revealing exploration of what made the epics such powerful examples of verbal artistry. Divided into two Parts, the volume first considers similes in five modern-day oral poetries - Rajasthani epic, South Sumatran epic, Kyrgyz epic, Bosniac epic, and Najdi lyric poems from Saudi Arabia - and studies successful performances by still other verbal artists, such as Egyptian singers of epic, Turkish minstrels, and Chinese storytellers. By applying these findings to the Homeric epics, the second Part presents a new take on how the Homeric poet put together his similes and alters our understanding of how the poet displayed his competence as a performer of verbal art and interacted with his poetic peers and predecessors. Engaging intensively with a diverse array of scholarship from outside the field of classical studies, from folkloristics to cognitive linguistics, this truly interdisciplinary volume transforms how we view not only a central feature of Homeric poetry but also the very nature of Homeric performance.

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