The Golden Woman: A Story of the Montana Hills

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book The Golden Woman: A Story of the Montana Hills by Ridgwell Cullum, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Ridgwell Cullum ISBN: 9781465561619
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Ridgwell Cullum
ISBN: 9781465561619
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

An elderly woman looked up from the crystal globe before her. The sound of horse’s hoofs, clattering up to the veranda, had caught her attention. But the hard, gray eyes had not yet recovered their normal frigidity of expression. There were still traces in them of the groping mind, searching on, amidst the chaos of a world unseen. Nor was Mercy Lascelles posing at the trade which yielded her something more than her daily bread. She had no reason for pose. She was an ardent and proficient student of that remote science which has for its field of research the border-land between earthly life and the ultimate. For some moments she gazed half-vacantly through the window. Then alertness and interest came back to her eyes, and her look resumed its normal hardness. It was an unlovely face, but its unloveliness lay in its expression. There was something so unyielding in the keen, aquiline nose and pointed chin. The gray eyes were so cold. The pronounced brows were almost threatening in their marking and depression. There was not a feature in her face that was not handsome, and yet, collectively, they gave her a look at once forbidding, and even cruel. There was no softening, there never was any softening in Mercy Lascelles’ attitude toward the world now. Years ago she may have given signs of the gentler emotions of her woman’s heart. It is only reasonable to suppose that at some time or other she possessed them. But now no one was ever permitted beyond the harsh exterior. Perhaps she owed the world a grudge. Perhaps she hoped, by closing the doors of her soul, her attitude would be accepted as the rebuff she intended to convey.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

An elderly woman looked up from the crystal globe before her. The sound of horse’s hoofs, clattering up to the veranda, had caught her attention. But the hard, gray eyes had not yet recovered their normal frigidity of expression. There were still traces in them of the groping mind, searching on, amidst the chaos of a world unseen. Nor was Mercy Lascelles posing at the trade which yielded her something more than her daily bread. She had no reason for pose. She was an ardent and proficient student of that remote science which has for its field of research the border-land between earthly life and the ultimate. For some moments she gazed half-vacantly through the window. Then alertness and interest came back to her eyes, and her look resumed its normal hardness. It was an unlovely face, but its unloveliness lay in its expression. There was something so unyielding in the keen, aquiline nose and pointed chin. The gray eyes were so cold. The pronounced brows were almost threatening in their marking and depression. There was not a feature in her face that was not handsome, and yet, collectively, they gave her a look at once forbidding, and even cruel. There was no softening, there never was any softening in Mercy Lascelles’ attitude toward the world now. Years ago she may have given signs of the gentler emotions of her woman’s heart. It is only reasonable to suppose that at some time or other she possessed them. But now no one was ever permitted beyond the harsh exterior. Perhaps she owed the world a grudge. Perhaps she hoped, by closing the doors of her soul, her attitude would be accepted as the rebuff she intended to convey.

More books from Library of Alexandria

Cover of the book Letters on Astronomy in which the Elements of the Science are Familiarly Explained in Connection with Biographical Sketches of the Most Eminent Astronomers by Ridgwell Cullum
Cover of the book Mary Liddiard: The Missionary's Daughter by Ridgwell Cullum
Cover of the book Madame Sans-Gêne: Roman tiré de la Pièce de Mm. Victorien Sardou et Émile Moreau, La Maréchale, et Le Roi de Rome (Complete) by Ridgwell Cullum
Cover of the book A Breeze From the Woods by Ridgwell Cullum
Cover of the book Tales from the Indian Epics by Ridgwell Cullum
Cover of the book Oeuvres De Champlain by Ridgwell Cullum
Cover of the book The Mountebank by Ridgwell Cullum
Cover of the book Songs of the West: Folk Songs of Devon and Cornwall Collected from the Mouths of the People by Ridgwell Cullum
Cover of the book The Great American Pie Company by Ridgwell Cullum
Cover of the book Centenario do Revolução de 1820 Integração de Aveiro nesse glorioso movimento by Ridgwell Cullum
Cover of the book The Redemption of Kenneth Galt by Ridgwell Cullum
Cover of the book Morsamor: peregrinaciones heroicas y lances de amor y fortuna de Miguel de Zuheros y Tiburcio de Simahonda by Ridgwell Cullum
Cover of the book Clocks by Ridgwell Cullum
Cover of the book An Antidote Against Melancholy: Made Up in Pills by Ridgwell Cullum
Cover of the book Arizona's Yesterday: Being the Narrative of John Henry Cady, Pioneer by Ridgwell Cullum
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy