The Flash of Capital

Film and Geopolitics in Japan

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book The Flash of Capital by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi, Duke University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi ISBN: 9780822383918
Publisher: Duke University Press Publication: November 4, 2002
Imprint: Duke University Press Books Language: English
Author: Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
ISBN: 9780822383918
Publisher: Duke University Press
Publication: November 4, 2002
Imprint: Duke University Press Books
Language: English

The Flash of Capital analyzes the links between Japan’s capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that highlights the spaces where film and the nation transcend their customary borders—where culture and capital crisscross—and, in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.
Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. Considering great classics of Japanese film, documentaries, works of science fiction, animation, and pornography, he brings to light cinematic attempts to come to terms with the tensions inherent in each historical moment—tensions between the colonizer and the colonized, between the individual and the collective, and between the national and the transnational. Paying close attention to political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. This innovative work of cultural history and criticism offers explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Flash of Capital analyzes the links between Japan’s capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that highlights the spaces where film and the nation transcend their customary borders—where culture and capital crisscross—and, in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.
Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. Considering great classics of Japanese film, documentaries, works of science fiction, animation, and pornography, he brings to light cinematic attempts to come to terms with the tensions inherent in each historical moment—tensions between the colonizer and the colonized, between the individual and the collective, and between the national and the transnational. Paying close attention to political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. This innovative work of cultural history and criticism offers explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical.

More books from Duke University Press

Cover of the book Black into White by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book Fado Resounding by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book The Promise of Happiness by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book Questions of Travel by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book Public Affairs by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book The Political Sublime by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book Joyce's Book of Memory by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book The Mirage of a Space between Nature and Nurture by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book Vanishing Women by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book Femininity in Flight by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book Crude Chronicles by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book Asian Biotech by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book Making Freedom by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book Catholic Lives, Contemporary America by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
Cover of the book Crumpled Paper Boat by Eric Cazdyn, Rey Chow, Harry Harootunian, Masao Miyoshi
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy