The First Frame

Theatre Space in Enlightenment France

Fiction & Literature, Drama, Continental European, Nonfiction, Entertainment, History
Cover of the book The First Frame by Pannill Camp, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Pannill Camp ISBN: 9781316120699
Publisher: Cambridge University Press Publication: December 4, 2014
Imprint: Cambridge University Press Language: English
Author: Pannill Camp
ISBN: 9781316120699
Publisher: Cambridge University Press
Publication: December 4, 2014
Imprint: Cambridge University Press
Language: English

In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Molière, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In the late eighteenth century, a movement to transform France's theatre architecture united the nation. Playwrights, philosophers, and powerful agents including King Louis XV rejected the modified structures that had housed the plays of Racine and Molière, and debated which playhouse form should support the future of French stagecraft. In The First Frame, Pannill Camp argues that these reforms helped to lay down the theoretical and practical foundations of modern theatre space. Examining dramatic theory, architecture, and philosophy, Camp explores how architects, dramatists, and spectators began to see theatre and scientific experimentation as parallel enterprises. During this period of modernisation, physicists began to cite dramatic theory and adopt theatrical staging techniques, while playwrights sought to reveal observable truths of human nature. Camp goes on to show that these reforms had consequences for the way we understand both modern theatrical aesthetics and the production of scientific knowledge in the present day.

More books from Cambridge University Press

Cover of the book Thomas Jefferson and American Nationhood by Pannill Camp
Cover of the book Sports Medicine for the Emergency Physician by Pannill Camp
Cover of the book Cerebral Microbleeds by Pannill Camp
Cover of the book Hiroshima by Pannill Camp
Cover of the book Achieving Nuclear Ambitions by Pannill Camp
Cover of the book Biological Control by Pannill Camp
Cover of the book The Common Law Constitution by Pannill Camp
Cover of the book G. E. Moore: Early Philosophical Writings by Pannill Camp
Cover of the book Advanced Analytical Dynamics by Pannill Camp
Cover of the book Mortal and Divine in Early Greek Epistemology by Pannill Camp
Cover of the book Expressions of Time in Ancient Greek by Pannill Camp
Cover of the book Technocracy and Democracy in Latin America by Pannill Camp
Cover of the book United States Migrant Interdiction and the Detention of Refugees in Guantánamo Bay by Pannill Camp
Cover of the book Military Justice in the Modern Age by Pannill Camp
Cover of the book Marketing Intelligent Design by Pannill Camp
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy