The Enigma of Emilia Galotti

Nonfiction, Entertainment, Performing Arts
Cover of the book The Enigma of Emilia Galotti by Edward Dvoretzky, Springer Netherlands
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Edward Dvoretzky ISBN: 9789401509497
Publisher: Springer Netherlands Publication: December 6, 2012
Imprint: Springer Language: English
Author: Edward Dvoretzky
ISBN: 9789401509497
Publisher: Springer Netherlands
Publication: December 6, 2012
Imprint: Springer
Language: English

The purpose of this study is to report the reactions and criticism of those German, Swiss, and Austrian authors who commented on Les­ sing's Emilia Galotti from the time of its creation to the twentieth century and to note the various degrees to which it influenced writers of different personal and literary bent. It will be seen that the repre­ sentatives of a given literary trend, although regarding the play primarily in the light of their own ideals, were not necessarily in accord with one another over certain of its aspects. Emilia Galotti is especially suited to this kind of investigation because it took form in an age when interest in principles of dramatic composition was particularly intense, and because it was written by a figure who was perhaps most influential in the discussions centering on them. Emilia Galotti further lends itself to this study because, despite the fact that it has remained an extremely enigmatic work, it was and continues to be a highly popular play, having been. translated into at least twelve foreign languages and having also had an overture written in its honor.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The purpose of this study is to report the reactions and criticism of those German, Swiss, and Austrian authors who commented on Les­ sing's Emilia Galotti from the time of its creation to the twentieth century and to note the various degrees to which it influenced writers of different personal and literary bent. It will be seen that the repre­ sentatives of a given literary trend, although regarding the play primarily in the light of their own ideals, were not necessarily in accord with one another over certain of its aspects. Emilia Galotti is especially suited to this kind of investigation because it took form in an age when interest in principles of dramatic composition was particularly intense, and because it was written by a figure who was perhaps most influential in the discussions centering on them. Emilia Galotti further lends itself to this study because, despite the fact that it has remained an extremely enigmatic work, it was and continues to be a highly popular play, having been. translated into at least twelve foreign languages and having also had an overture written in its honor.

More books from Springer Netherlands

Cover of the book Conscience and Love in Making Judicial Decisions by Edward Dvoretzky
Cover of the book CT Densitometry in Osteoporosis by Edward Dvoretzky
Cover of the book Tetraspanins by Edward Dvoretzky
Cover of the book Economic Rationality and Practical Reason by Edward Dvoretzky
Cover of the book The Demography and Epidemiology of Human Health and Aging by Edward Dvoretzky
Cover of the book Stratigraphy and Paleolimnology of the Green River Formation, Western USA by Edward Dvoretzky
Cover of the book The Training Evaluation Process by Edward Dvoretzky
Cover of the book The International Legal Status of Austria 1938–1955 by Edward Dvoretzky
Cover of the book The Kaleidoscope of Science by Edward Dvoretzky
Cover of the book Myocardial Energy Metabolism by Edward Dvoretzky
Cover of the book Clinical Investigations in Gastroenterology by Edward Dvoretzky
Cover of the book The Wellsprings of Music by Edward Dvoretzky
Cover of the book Debating the Faith: Religion and Letter Writing in Great Britain, 1550-1800 by Edward Dvoretzky
Cover of the book Phenomenology and Social Reality by Edward Dvoretzky
Cover of the book Mutating Concepts, Evolving Disciplines: Genetics, Medicine, and Society by Edward Dvoretzky
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy