The Dramaturgy of Opera. Aspects of Contemporary Reading

From the Standpoint of the Director

Nonfiction, Art & Architecture, General Art, Entertainment, Music, Reference & Language, Education & Teaching
Cover of the book The Dramaturgy of Opera. Aspects of Contemporary Reading by Vania Batchvarova, Xlibris US
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Author: Vania Batchvarova ISBN: 9781543416374
Publisher: Xlibris US Publication: April 29, 2017
Imprint: Xlibris US Language: English
Author: Vania Batchvarova
ISBN: 9781543416374
Publisher: Xlibris US
Publication: April 29, 2017
Imprint: Xlibris US
Language: English

???????? ???????? ?? ????????? ???? ??? ???????? ?????????. ???????? ??????????? ???? ????? ?? ????????????????? ?????? ??????? ?????????? ???????? ???????????????? ??????? ? ????????????? ?? ????? ?????????? ????. ????????? ?? ??????????? ??????? ?? ??????????? ????????. ?????????? ?? ?????????? ????????? ?? ??????????????? ? ???????????????? ??????????. ???????????? ?????? ?? ????????? ? ???????????. ???? ??????????? ?? ??????? ???????? ?? ???????? ?????????? ?? ??????? ??????? ?? ???????? ? ??????? ?????? ?? ????????????? ?? ????????? ??????? ??? ????????? ???????????????? ???????. Directing an opera is examined as a kind of a practical applied philosophy. The opera dramaturgy is an expression of social interrelationthe individual follows a social-psychological process and their impact on the musical language. The objective borders of the philosophical context are outlined. The theoretical analysis develops further to the practical. The sphere of theory is leaved through the creation of work hypotheses for stage setting and begins a process of transference from authors intention to analogue decisions for interpretation.

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???????? ???????? ?? ????????? ???? ??? ???????? ?????????. ???????? ??????????? ???? ????? ?? ????????????????? ?????? ??????? ?????????? ???????? ???????????????? ??????? ? ????????????? ?? ????? ?????????? ????. ????????? ?? ??????????? ??????? ?? ??????????? ????????. ?????????? ?? ?????????? ????????? ?? ??????????????? ? ???????????????? ??????????. ???????????? ?????? ?? ????????? ? ???????????. ???? ??????????? ?? ??????? ???????? ?? ???????? ?????????? ?? ??????? ??????? ?? ???????? ? ??????? ?????? ?? ????????????? ?? ????????? ??????? ??? ????????? ???????????????? ???????. Directing an opera is examined as a kind of a practical applied philosophy. The opera dramaturgy is an expression of social interrelationthe individual follows a social-psychological process and their impact on the musical language. The objective borders of the philosophical context are outlined. The theoretical analysis develops further to the practical. The sphere of theory is leaved through the creation of work hypotheses for stage setting and begins a process of transference from authors intention to analogue decisions for interpretation.

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