The Drama of Love and Death: A Study of Human Evolution and Transfiguration

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book The Drama of Love and Death: A Study of Human Evolution and Transfiguration by Edward Carpenter, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Edward Carpenter ISBN: 9781465536624
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Edward Carpenter
ISBN: 9781465536624
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

Love and Death move through this world of ours like things apart—underrunning it truly, and everywhere present, yet seeming to belong to some other mode of existence. When Death comes, breaking into the circle of our friends, words fail us, our mental machinery ceases to operate, all our little stores of wit and wisdom, our maxims, our mottoes, accumulated from daily experience, evaporate and are of no avail. These things do not seem to touch or illuminate in any effective way the strange vast Presence whose wings darken the world for us. And with Love, though in an opposite sense, it is the same. Words are of no use, all our philosophy fails—whether to account for the pain, or to fortify against the glamour, or to describe the glory of the experience. These figures, Love and Death, move through the world, like closest friends indeed, never far separate, and together dominating it in a kind of triumphant superiority; and yet like bitterest enemies, dogging each other’s footsteps, undoing each other’s work, fighting for the bodies and souls of mankind. Is it possible that at length and after ages we may attain to liberate ourselves from their overlordship—to dominate them and make them our ministers and attendants? Can we wrest them from their seeming tyranny over the human race, and from their hostility to each other? Can we persuade them to lay aside their disguise and appear to us for what they no doubt are—even the angels and messengers of a new order of existence? It is a great and difficult enterprise. Yet it is one, I think, which we of this generation cannot avoid. We can no longer turn our faces away from Death, and make as if we did not perceive his presence or hear his challenge. This age, which is learning to look the facts of Nature steadily in the face, and see through them, must also learn to face this ultimate fact and look through it. And it will surely—and perhaps only—be by allying ourselves to Love that we shall be able to do so—that we shall succeed in our endeavor. For after all it is not in the main on account of ourselves that we cherish a grudge against the ‘common enemy’ and dispute his authority, but for the sake of those we love. For ourselves we may be indifferent or acquiescent; but somehow for those others, for those divine ones who have taken our hearts into their keeping, we resent the idea that they can perish. We refuse to entertain the thought. Love in some mysterious way forbids the fear of death. Whether it be Siegfried who tramples the flaming, circle underfoot, or the Prince of Heaven who breaks his way through the enchanted thicket, or Orpheus who reaches his Eurydice even in the jaws of hell, or Hercules who wrestles with the lord of the underworld for Alcestis—the ancient instinct of mankind has declared in no uncertain tone that in this last encounter Love must vanquish.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Love and Death move through this world of ours like things apart—underrunning it truly, and everywhere present, yet seeming to belong to some other mode of existence. When Death comes, breaking into the circle of our friends, words fail us, our mental machinery ceases to operate, all our little stores of wit and wisdom, our maxims, our mottoes, accumulated from daily experience, evaporate and are of no avail. These things do not seem to touch or illuminate in any effective way the strange vast Presence whose wings darken the world for us. And with Love, though in an opposite sense, it is the same. Words are of no use, all our philosophy fails—whether to account for the pain, or to fortify against the glamour, or to describe the glory of the experience. These figures, Love and Death, move through the world, like closest friends indeed, never far separate, and together dominating it in a kind of triumphant superiority; and yet like bitterest enemies, dogging each other’s footsteps, undoing each other’s work, fighting for the bodies and souls of mankind. Is it possible that at length and after ages we may attain to liberate ourselves from their overlordship—to dominate them and make them our ministers and attendants? Can we wrest them from their seeming tyranny over the human race, and from their hostility to each other? Can we persuade them to lay aside their disguise and appear to us for what they no doubt are—even the angels and messengers of a new order of existence? It is a great and difficult enterprise. Yet it is one, I think, which we of this generation cannot avoid. We can no longer turn our faces away from Death, and make as if we did not perceive his presence or hear his challenge. This age, which is learning to look the facts of Nature steadily in the face, and see through them, must also learn to face this ultimate fact and look through it. And it will surely—and perhaps only—be by allying ourselves to Love that we shall be able to do so—that we shall succeed in our endeavor. For after all it is not in the main on account of ourselves that we cherish a grudge against the ‘common enemy’ and dispute his authority, but for the sake of those we love. For ourselves we may be indifferent or acquiescent; but somehow for those others, for those divine ones who have taken our hearts into their keeping, we resent the idea that they can perish. We refuse to entertain the thought. Love in some mysterious way forbids the fear of death. Whether it be Siegfried who tramples the flaming, circle underfoot, or the Prince of Heaven who breaks his way through the enchanted thicket, or Orpheus who reaches his Eurydice even in the jaws of hell, or Hercules who wrestles with the lord of the underworld for Alcestis—the ancient instinct of mankind has declared in no uncertain tone that in this last encounter Love must vanquish.

More books from Library of Alexandria

Cover of the book Songs of the West: Folk Songs of Devon and Cornwall Collected from the Mouths of the People by Edward Carpenter
Cover of the book Bizarre by Edward Carpenter
Cover of the book The Abolitionists Together With Personal Memories of the Struggle for Human Rights by Edward Carpenter
Cover of the book La Vuelta de Martín Fierro by Edward Carpenter
Cover of the book Mentone, Cairo, and Corfu by Edward Carpenter
Cover of the book Histoire de la prostitution chez tous les peuples du monde depuis l'antiquité la plus reculée jusqu'à nos jours, tome III of VI by Edward Carpenter
Cover of the book Immortalia: An Anthology of American Ballads, Sailors' Songs, Cowboy Songs, College Songs, Parodies, Limericks, and Other Humorous Verses and Doggerel by Edward Carpenter
Cover of the book And the Kaiser Abdicates: the German Revolution November 1918-August 1919 by Edward Carpenter
Cover of the book Adventures in Africa By an African Trader by Edward Carpenter
Cover of the book Ave Roma Immortalis: Studies From the Chronicles of Rome (Complete) by Edward Carpenter
Cover of the book The Golden Grasshopper: A Story of the Days of Sir Thomas Gresham by Edward Carpenter
Cover of the book Heroic Legends by Edward Carpenter
Cover of the book Dictionnaire raisonné de l'architecture française du XIe au XVIe siècle, Tome Neuvième by Edward Carpenter
Cover of the book Ziska by Edward Carpenter
Cover of the book Journal de Eugène Delacroix (Complete) by Edward Carpenter
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy