The Distinguishing Aspect

Fiction & Literature, Poetry
Cover of the book The Distinguishing Aspect by John Beach, John Beach
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Author: John Beach ISBN: 9781301227006
Publisher: John Beach Publication: June 7, 2013
Imprint: Smashwords Edition Language: English
Author: John Beach
ISBN: 9781301227006
Publisher: John Beach
Publication: June 7, 2013
Imprint: Smashwords Edition
Language: English

John Beach's fifth collection of poetry. The 35 terzanelle poems in this collection are about identity: both the secret identity and the public persona. I have chosen 26 characters from classic literature, theater, the Pulps, comic books, and radio programs, each of whom uses a hidden identity (or identities) for heroic and less-than-heroic purposes. The real question is why they do so, why any of us do.

The terzanelle is a French/Italian adaptation of the terza rima to the villanelle form. Each terzanelle is meant to be 19 lines long (ten syllables each), composed of five triplets with a concluding quatrain, and are written in iambic pentamater. I don't pay much attention to where my metrical feet are stepping, but I enjoy the puzzle-like nature of this form and the subtlety of the repeating lines, the variations in meaning. I also enjoy breaking the lines and changing punctuation.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

John Beach's fifth collection of poetry. The 35 terzanelle poems in this collection are about identity: both the secret identity and the public persona. I have chosen 26 characters from classic literature, theater, the Pulps, comic books, and radio programs, each of whom uses a hidden identity (or identities) for heroic and less-than-heroic purposes. The real question is why they do so, why any of us do.

The terzanelle is a French/Italian adaptation of the terza rima to the villanelle form. Each terzanelle is meant to be 19 lines long (ten syllables each), composed of five triplets with a concluding quatrain, and are written in iambic pentamater. I don't pay much attention to where my metrical feet are stepping, but I enjoy the puzzle-like nature of this form and the subtlety of the repeating lines, the variations in meaning. I also enjoy breaking the lines and changing punctuation.

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