The Demographic Imagination and the Nineteenth-Century City

Paris, London, New York

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, History
Cover of the book The Demographic Imagination and the Nineteenth-Century City by Nicholas Daly, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Nicholas Daly ISBN: 9781316289884
Publisher: Cambridge University Press Publication: March 30, 2015
Imprint: Cambridge University Press Language: English
Author: Nicholas Daly
ISBN: 9781316289884
Publisher: Cambridge University Press
Publication: March 30, 2015
Imprint: Cambridge University Press
Language: English

In this provocative book, Nicholas Daly tracks the cultural effects of the population explosion of the nineteenth century, the 'demographic transition' to the modern world. As the crowded cities of Paris, London and New York went through similar transformations, a set of shared narratives and images of urban life circulated among them, including fantasies of urban catastrophe, crime dramas, and tales of haunted public transport, refracting the hell that is other people. In the visual arts, sentimental genre pictures appeared that condensed the urban masses into a handful of vulnerable figures: newsboys and flower-girls. At the end of the century, proto-ecological stories emerge about the sprawling city as itself a destroyer. This lively study excavates some of the origins of our own international popular culture, from noir visions of the city as a locus of crime, to utopian images of energy and community.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In this provocative book, Nicholas Daly tracks the cultural effects of the population explosion of the nineteenth century, the 'demographic transition' to the modern world. As the crowded cities of Paris, London and New York went through similar transformations, a set of shared narratives and images of urban life circulated among them, including fantasies of urban catastrophe, crime dramas, and tales of haunted public transport, refracting the hell that is other people. In the visual arts, sentimental genre pictures appeared that condensed the urban masses into a handful of vulnerable figures: newsboys and flower-girls. At the end of the century, proto-ecological stories emerge about the sprawling city as itself a destroyer. This lively study excavates some of the origins of our own international popular culture, from noir visions of the city as a locus of crime, to utopian images of energy and community.

More books from Cambridge University Press

Cover of the book Atonement and Self-Sacrifice in Nineteenth-Century Narrative by Nicholas Daly
Cover of the book Female Friends and the Making of Transatlantic Quakerism, 1650–1750 by Nicholas Daly
Cover of the book The Cambridge Handbook of the Psychology of Aesthetics and the Arts by Nicholas Daly
Cover of the book WCDMA Design Handbook by Nicholas Daly
Cover of the book Modernism, Satire and the Novel by Nicholas Daly
Cover of the book Kant and the Question of Theology by Nicholas Daly
Cover of the book The Myth of Rome in Shakespeare and his Contemporaries by Nicholas Daly
Cover of the book What is a Law of Nature? by Nicholas Daly
Cover of the book Making Waves by Nicholas Daly
Cover of the book Planning Clinical Research by Nicholas Daly
Cover of the book The Cambridge Companion to the Cello by Nicholas Daly
Cover of the book The Great War in History by Nicholas Daly
Cover of the book Making Sense of Fatherhood by Nicholas Daly
Cover of the book Explanation and Teleology in Aristotle's Science of Nature by Nicholas Daly
Cover of the book The Editor's Companion by Nicholas Daly
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy