The Concept of Metamorphosis in Literature

An investigation on Shakespeare's 'Midsummer Night's Dream'

Fiction & Literature, Literary Theory & Criticism, British
Cover of the book The Concept of Metamorphosis in Literature by Karsten Löwer, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Karsten Löwer ISBN: 9783640634880
Publisher: GRIN Publishing Publication: June 1, 2010
Imprint: GRIN Publishing Language: English
Author: Karsten Löwer
ISBN: 9783640634880
Publisher: GRIN Publishing
Publication: June 1, 2010
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,0, Justus-Liebig-University Giessen (Institut für Anglistik), course: Literature and Metamorphosis, language: English, abstract: A Midsummer Night´s Dream (from here on in referred to simply as Midsummer), Shakespeare´s popular comedy about the fickleness and difficulty of love, has been written around 1594 and 1596, most likely as an entertainment piece for a royal festivity (Barber, 1959). An often cited and likely possibility for its first performance was the wedding reception of one Elizabeth Carey, a godchild of Queen Elizabeth I. to Thomas, son of Lord Berkely, which took place in February of 1596 (Holland, 1995). Still this remains speculative and it is not the only uncertainty surrounding Midsummer. Together with The Tempest and Love´s Labours Lost it is one few examples in Shakespeare´s canon in which no singular source text can be identified to serve as a basis for the poet´s interpretation. Although, as will be shown later it contains references to an array of literary texts, most famously Ovid´s Metamorphoses, not all aspects of its plot can be traced (Brown and Johnson, 2000). A case in point is the fairy realm and the fairies themselves. It appears that Shakespeare may have taken his cue from English, Irish and Germanic folk legends, which in some cases featured malicious fairies, but the idea of the tiny, winged and ultimately good-natured creatures, an image which has become lodged into popular consciousness ever since, did not exist in Shakespearian times and has thus been first conceived by Shakespeare himself (Pfeiffer, 1971). Furthermore the play is a composite of four individual strands of narration, artistically interweaved. Therefore, whereas for instance the royal realm represented by Theseus and Hippolyta, is derived from Greek mythology, the blending together of the four realms within a coherent narrative is an original Shakespearean formulation. The fact that Shakespeare does combine and blend together these different narrative strands, the mythical dimension with the physical reality of palace life, will be shown to correspond to the overriding theme of Midsummer: That of transformation and recombination, a proposition which will be investigated in the analysis presented here. [...]

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,0, Justus-Liebig-University Giessen (Institut für Anglistik), course: Literature and Metamorphosis, language: English, abstract: A Midsummer Night´s Dream (from here on in referred to simply as Midsummer), Shakespeare´s popular comedy about the fickleness and difficulty of love, has been written around 1594 and 1596, most likely as an entertainment piece for a royal festivity (Barber, 1959). An often cited and likely possibility for its first performance was the wedding reception of one Elizabeth Carey, a godchild of Queen Elizabeth I. to Thomas, son of Lord Berkely, which took place in February of 1596 (Holland, 1995). Still this remains speculative and it is not the only uncertainty surrounding Midsummer. Together with The Tempest and Love´s Labours Lost it is one few examples in Shakespeare´s canon in which no singular source text can be identified to serve as a basis for the poet´s interpretation. Although, as will be shown later it contains references to an array of literary texts, most famously Ovid´s Metamorphoses, not all aspects of its plot can be traced (Brown and Johnson, 2000). A case in point is the fairy realm and the fairies themselves. It appears that Shakespeare may have taken his cue from English, Irish and Germanic folk legends, which in some cases featured malicious fairies, but the idea of the tiny, winged and ultimately good-natured creatures, an image which has become lodged into popular consciousness ever since, did not exist in Shakespearian times and has thus been first conceived by Shakespeare himself (Pfeiffer, 1971). Furthermore the play is a composite of four individual strands of narration, artistically interweaved. Therefore, whereas for instance the royal realm represented by Theseus and Hippolyta, is derived from Greek mythology, the blending together of the four realms within a coherent narrative is an original Shakespearean formulation. The fact that Shakespeare does combine and blend together these different narrative strands, the mythical dimension with the physical reality of palace life, will be shown to correspond to the overriding theme of Midsummer: That of transformation and recombination, a proposition which will be investigated in the analysis presented here. [...]

More books from GRIN Publishing

Cover of the book Delineating an Educational Policy Framework for the Developing Nations in Meeting the Emerging Global Challenges by year 2050 by Karsten Löwer
Cover of the book The Corporate Tax System in the United States by Karsten Löwer
Cover of the book The Constituency Development Fund. Merits and Demerits to Community Development by Karsten Löwer
Cover of the book Ecological concerns and their collective realisation in Ernest Callenbach´s 'Ecotopia' by Karsten Löwer
Cover of the book Shakespeare's 'A Midsummer Night's Dream' by Karsten Löwer
Cover of the book Cult Films as a Social Phenomenon in the 1950s by Karsten Löwer
Cover of the book International Accounting. Multinational Corporations and Accounting Diversities by Karsten Löwer
Cover of the book Literature Review: The Ascent of Money: A Financial History of the World, Niall Ferguson by Karsten Löwer
Cover of the book T.C. Boyle's 'The Tortilla Curtain' by Karsten Löwer
Cover of the book Introducing the Dandy to the New World - Oscar Wilde visits America, January 2nd 1882 - December 27th 1882 by Karsten Löwer
Cover of the book Der steinige Weg zum Frieden von Campo Formio by Karsten Löwer
Cover of the book Benito Cereno: Delano -The Unreliable Narrator by Karsten Löwer
Cover of the book The Significance of a Small War by Karsten Löwer
Cover of the book The problems of immigration and assimilation in a multicultural society by Karsten Löwer
Cover of the book Consider how international institutions can help in the protection of human rights by Karsten Löwer
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy