The Complete Historical Novels Of Georg Ebers

Nonfiction, Entertainment, Drama, Anthologies, Fiction & Literature, Literary Theory & Criticism
Cover of the book The Complete Historical Novels Of Georg Ebers by Georg Ebers, Lighthouse Books for Translation Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Georg Ebers ISBN: 9780599443037
Publisher: Lighthouse Books for Translation Publishing Publication: June 20, 2019
Imprint: Lighthouse Books for Translation and Publishing Language: English
Author: Georg Ebers
ISBN: 9780599443037
Publisher: Lighthouse Books for Translation Publishing
Publication: June 20, 2019
Imprint: Lighthouse Books for Translation and Publishing
Language: English

The earlier editions of “Uarda” were published in such rapid succession, that no extensive changes in the stereotyped text could be made; but from the first issue, I have not ceased to correct it, and can now present to the public this new fifth edition as a “revised” one.
Having felt a constantly increasing affection for “Uarda” during the time I was writing, the friendly and comprehensive attention bestowed upon it by our greatest critics and the favorable reception it met with in the various classes of society, afforded me the utmost pleasure.
I owe the most sincere gratitude to the honored gentlemen, who called my attention to certain errors, and among them will name particularly Professor Paul Ascherson of Berlin, and Dr. C. Rohrbach of Gotha. Both will find their remarks regarding mistakes in the geographical location of plants, heeded in this new edition.
The notes, after mature deliberation, have been placed at the foot of the pages instead of at the end of the book.
So many criticisms concerning the title “Uarda” have recently reached my ears, that, rather by way of explanation than apology, I will here repeat what I said in the preface to the third edition.
This title has its own history, and the more difficult it would be for me to defend it, the more ready I am to allow an advocate to speak for me, an advocate who bears a name no less distinguished than that of G. E. Lessing, who says:
“Nanine? (by Voltaire, 1749). What sort of title is that? What thoughts does it awake? Neither more nor less than a title should arouse. A title must not be a bill of fare. The less it betrays of the contents, the better it is. Author and spectator are both satisfied, and the ancients rarely gave their comedies anything but insignificant names.”
This may be the case with “Uarda,” whose character is less prominent than some others, it is true, but whose sorrows direct the destinies of my other heroes and heroines.
Why should I conceal the fact? The character of “Uarda” and the present story have grown out of the memory of a Fellah girl, half child, half maiden, whom I saw suffer and die in a hut at Abu el Qurnah in the Necropolis of Thebes.
I still persist in the conviction I have so frequently expressed, the conviction that the fundamental traits of the life of the soul have undergone very trivial modifications among civilized nations in all times and ages, but will endeavor to explain the contrary opinion, held by my opponents, by calling attention to the circumstance, that the expression of these emotions show considerable variations among different peoples, and at different epochs.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The earlier editions of “Uarda” were published in such rapid succession, that no extensive changes in the stereotyped text could be made; but from the first issue, I have not ceased to correct it, and can now present to the public this new fifth edition as a “revised” one.
Having felt a constantly increasing affection for “Uarda” during the time I was writing, the friendly and comprehensive attention bestowed upon it by our greatest critics and the favorable reception it met with in the various classes of society, afforded me the utmost pleasure.
I owe the most sincere gratitude to the honored gentlemen, who called my attention to certain errors, and among them will name particularly Professor Paul Ascherson of Berlin, and Dr. C. Rohrbach of Gotha. Both will find their remarks regarding mistakes in the geographical location of plants, heeded in this new edition.
The notes, after mature deliberation, have been placed at the foot of the pages instead of at the end of the book.
So many criticisms concerning the title “Uarda” have recently reached my ears, that, rather by way of explanation than apology, I will here repeat what I said in the preface to the third edition.
This title has its own history, and the more difficult it would be for me to defend it, the more ready I am to allow an advocate to speak for me, an advocate who bears a name no less distinguished than that of G. E. Lessing, who says:
“Nanine? (by Voltaire, 1749). What sort of title is that? What thoughts does it awake? Neither more nor less than a title should arouse. A title must not be a bill of fare. The less it betrays of the contents, the better it is. Author and spectator are both satisfied, and the ancients rarely gave their comedies anything but insignificant names.”
This may be the case with “Uarda,” whose character is less prominent than some others, it is true, but whose sorrows direct the destinies of my other heroes and heroines.
Why should I conceal the fact? The character of “Uarda” and the present story have grown out of the memory of a Fellah girl, half child, half maiden, whom I saw suffer and die in a hut at Abu el Qurnah in the Necropolis of Thebes.
I still persist in the conviction I have so frequently expressed, the conviction that the fundamental traits of the life of the soul have undergone very trivial modifications among civilized nations in all times and ages, but will endeavor to explain the contrary opinion, held by my opponents, by calling attention to the circumstance, that the expression of these emotions show considerable variations among different peoples, and at different epochs.

More books from Lighthouse Books for Translation Publishing

Cover of the book Olalla by Georg Ebers
Cover of the book The Tenure of Kings and Magistrates by Georg Ebers
Cover of the book The Symposium by Georg Ebers
Cover of the book The Eyes of Asia by Georg Ebers
Cover of the book Lucan's Pharsalia by Georg Ebers
Cover of the book The Poems and Prose Poems of Charles Baudelaire by Georg Ebers
Cover of the book PHILOKTETES by Georg Ebers
Cover of the book A London Life by Georg Ebers
Cover of the book The Spoils of Poynton by Georg Ebers
Cover of the book The Second Alcibiades by Georg Ebers
Cover of the book The Turn of the Screw by Georg Ebers
Cover of the book Une Fille du Regent by Georg Ebers
Cover of the book The Figure in the Carpet by Georg Ebers
Cover of the book Records of a Family of Engineers by Georg Ebers
Cover of the book Memoir of Fleeming Jenkin by Georg Ebers
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy