The Cinema of Steven Spielberg

Empire of Light

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book The Cinema of Steven Spielberg by Nigel Morris, Columbia University Press
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Author: Nigel Morris ISBN: 9780231503457
Publisher: Columbia University Press Publication: February 13, 2007
Imprint: WallFlower Press Language: English
Author: Nigel Morris
ISBN: 9780231503457
Publisher: Columbia University Press
Publication: February 13, 2007
Imprint: WallFlower Press
Language: English

Cinema's most successful director is a commercial and cultural force demanding serious consideration. Not just triumphant marketing, this international popularity is partly a function of the movies themselves. Polarised critical attitudes largely overlook this, and evidence either unquestioning adulation or vilification-often vitriolic-for epitomising contemporary Hollywood. Detailed textual analyses reveal that alongside conventional commercial appeal, Spielberg's movies function consistently as a self-reflexive commentary on cinema. Rather than straightforwardly consumed realism or fantasy, they invite divergent readings and self-conscious spectatorship which contradict assumptions about their ideological tendencies. Exercising powerful emotional appeal, their ambiguities are profitably advantageous in maximising audiences and generating media attention.

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Cinema's most successful director is a commercial and cultural force demanding serious consideration. Not just triumphant marketing, this international popularity is partly a function of the movies themselves. Polarised critical attitudes largely overlook this, and evidence either unquestioning adulation or vilification-often vitriolic-for epitomising contemporary Hollywood. Detailed textual analyses reveal that alongside conventional commercial appeal, Spielberg's movies function consistently as a self-reflexive commentary on cinema. Rather than straightforwardly consumed realism or fantasy, they invite divergent readings and self-conscious spectatorship which contradict assumptions about their ideological tendencies. Exercising powerful emotional appeal, their ambiguities are profitably advantageous in maximising audiences and generating media attention.

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