The Cinema of Béla Tarr

The Circle Closes

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book The Cinema of Béla Tarr by András Kovács, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: András Kovács ISBN: 9780231850377
Publisher: Columbia University Press Publication: May 21, 2013
Imprint: WallFlower Press Language: English
Author: András Kovács
ISBN: 9780231850377
Publisher: Columbia University Press
Publication: May 21, 2013
Imprint: WallFlower Press
Language: English

The Cinema of Béla Tarr is a critical analysis of the work of Hungary's most prominent and internationally best known film director, written by a scholar who has followed Bela Tarr's career through a close personal and professional relationship for more than twenty-five years. András Bálint Kovács traces the development of Tarr's themes, characters, and style, showing that almost all of his major stylistic and narrative innovations were already present in his early films and that through a conscious and meticulous recombination of and experimentation with these elements, Tarr arrived at his unique style. The significance of these films is that, beyond their aesthetic and historical value, they provide the most powerful vision of an entire region and its historical situation. Tarr's films express, in their universalistic language, the shared feelings of millions of Eastern Europeans.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Cinema of Béla Tarr is a critical analysis of the work of Hungary's most prominent and internationally best known film director, written by a scholar who has followed Bela Tarr's career through a close personal and professional relationship for more than twenty-five years. András Bálint Kovács traces the development of Tarr's themes, characters, and style, showing that almost all of his major stylistic and narrative innovations were already present in his early films and that through a conscious and meticulous recombination of and experimentation with these elements, Tarr arrived at his unique style. The significance of these films is that, beyond their aesthetic and historical value, they provide the most powerful vision of an entire region and its historical situation. Tarr's films express, in their universalistic language, the shared feelings of millions of Eastern Europeans.

More books from Columbia University Press

Cover of the book Memories of Mount Qilai by András Kovács
Cover of the book An Archaeology of the Political by András Kovács
Cover of the book Morals and Markets by András Kovács
Cover of the book Historical Atlas of Northeast Asia, 1590-2010 by András Kovács
Cover of the book Force of God by András Kovács
Cover of the book Voices from Iraq by András Kovács
Cover of the book The Loss of a Life Partner by András Kovács
Cover of the book Sexual Orientation and Psychodynamic Psychotherapy by András Kovács
Cover of the book Last Words by András Kovács
Cover of the book Pentecostals in America by András Kovács
Cover of the book Working for Respect by András Kovács
Cover of the book Dying by András Kovács
Cover of the book Socialism Unbound by András Kovács
Cover of the book Ballots, Bullets, and Bargains by András Kovács
Cover of the book Aid Dependence in Cambodia by András Kovács
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy