The Cambridge Companion to the Orchestra

Nonfiction, Entertainment, Music, Instruments & Instruction, Techniques, Theory & Criticism
Cover of the book The Cambridge Companion to the Orchestra by , Cambridge University Press
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Author: ISBN: 9781139816595
Publisher: Cambridge University Press Publication: April 24, 2003
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781139816595
Publisher: Cambridge University Press
Publication: April 24, 2003
Imprint: Cambridge University Press
Language: English

This guide to the orchestra and orchestral life is unique in the breadth of its coverage. It combines orchestral history and orchestral repertory with a practical bias offering critical thought about the past, present and future of the orchestra as a sociological and as an artistic phenomenon. This approach reflects many of the current global discussions about the orchestra's continued role in a changing society. Other topics discussed include the art of orchestration, scorereading, conductors and conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener. Written by experts in the field, the book will be of academic and practical interest to a wide-ranging readership of music historians and professional or amateur musicians as well as an invaluable resource for all those contemplating a career in the performing arts.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This guide to the orchestra and orchestral life is unique in the breadth of its coverage. It combines orchestral history and orchestral repertory with a practical bias offering critical thought about the past, present and future of the orchestra as a sociological and as an artistic phenomenon. This approach reflects many of the current global discussions about the orchestra's continued role in a changing society. Other topics discussed include the art of orchestration, scorereading, conductors and conducting, international orchestras, recording, as well as consideration of what it means to be an orchestral musician, an educator, or an informed listener. Written by experts in the field, the book will be of academic and practical interest to a wide-ranging readership of music historians and professional or amateur musicians as well as an invaluable resource for all those contemplating a career in the performing arts.

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