The Cambridge Companion to Rossini

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera
Cover of the book The Cambridge Companion to Rossini by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781139816632
Publisher: Cambridge University Press Publication: April 29, 2004
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781139816632
Publisher: Cambridge University Press
Publication: April 29, 2004
Imprint: Cambridge University Press
Language: English

This 2004 Companion is a collection of specially commissioned essays on one of the most influential opera composers in the repertoire. The volume is divided into four parts, each exploring an important element of Rossini's life, his world, and his works: biography and reception; words and music; representative operas; and performance. Within these sections accessible chapters, written by a team of specialists, examine Rossini's life and career; the reception of his music in the nineteenth century and today; the librettos and their authors; the dramaturgy of the operas; and Rossini's non-operatic works. Additional chapters centre on key individual operas chosen for their historical importance or position in the present repertoire, and include Tancredi, Il barbiere di Siviglia, Semiramide, and Guillaume Tell. The last section, Performance, focuses on the history of Rossini's operas from the viewpoint of singing and staging, as well as the influence of editorial work on contemporary performance practice.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This 2004 Companion is a collection of specially commissioned essays on one of the most influential opera composers in the repertoire. The volume is divided into four parts, each exploring an important element of Rossini's life, his world, and his works: biography and reception; words and music; representative operas; and performance. Within these sections accessible chapters, written by a team of specialists, examine Rossini's life and career; the reception of his music in the nineteenth century and today; the librettos and their authors; the dramaturgy of the operas; and Rossini's non-operatic works. Additional chapters centre on key individual operas chosen for their historical importance or position in the present repertoire, and include Tancredi, Il barbiere di Siviglia, Semiramide, and Guillaume Tell. The last section, Performance, focuses on the history of Rossini's operas from the viewpoint of singing and staging, as well as the influence of editorial work on contemporary performance practice.

More books from Cambridge University Press

Cover of the book Collision Phenomena in Liquids and Solids by
Cover of the book Women and Music in Sixteenth-Century Ferrara by
Cover of the book Measuring and Interpreting Subjective Wellbeing in Different Cultural Contexts by
Cover of the book Trials for International Crimes in Asia by
Cover of the book Max Weber and International Relations by
Cover of the book Presenteeism at Work by
Cover of the book Central Banking in the Twentieth Century by
Cover of the book Shakespeare's Rise to Cultural Prominence by
Cover of the book The Seduction Narrative in Britain, 1747–1800 by
Cover of the book Market Design by
Cover of the book On Space and Time by
Cover of the book Performing Orthodox Ritual in Byzantium by
Cover of the book Putting Faith in Hate by
Cover of the book Symplectic Topology and Floer Homology: Volume 1, Symplectic Geometry and Pseudoholomorphic Curves by
Cover of the book Maximum Likelihood for Social Science by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy