The Cambridge Companion to Mozart

Nonfiction, Entertainment, Music
Cover of the book The Cambridge Companion to Mozart by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781139816625
Publisher: Cambridge University Press Publication: May 22, 2003
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781139816625
Publisher: Cambridge University Press
Publication: May 22, 2003
Imprint: Cambridge University Press
Language: English

The Cambridge Companion to Mozart paints a rounded yet focussed picture of one of the most revered artists of all time. Bringing the most recent scholarship into the public arena, this volume bridges the gap between scholarly and popular images of the composer, enhancing the readers' appreciation of Mozart and his extraordinary output, regardless of their prior knowledge of the music. Part I situates Mozart in the context of late eighteenth-century musical environments and aesthetic trends that played a pivotal role in his artistic development and examines his methods of composition. Part II surveys Mozart's works in all of the genres in which he excelled and Part III looks at the reception of the composer and his music since his death. Part IV offers insight into Mozart's career as a performer as well as theoretical and practical perspectives on historically informed performances of his music.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Cambridge Companion to Mozart paints a rounded yet focussed picture of one of the most revered artists of all time. Bringing the most recent scholarship into the public arena, this volume bridges the gap between scholarly and popular images of the composer, enhancing the readers' appreciation of Mozart and his extraordinary output, regardless of their prior knowledge of the music. Part I situates Mozart in the context of late eighteenth-century musical environments and aesthetic trends that played a pivotal role in his artistic development and examines his methods of composition. Part II surveys Mozart's works in all of the genres in which he excelled and Part III looks at the reception of the composer and his music since his death. Part IV offers insight into Mozart's career as a performer as well as theoretical and practical perspectives on historically informed performances of his music.

More books from Cambridge University Press

Cover of the book The Sources of Social Power: Volume 4, Globalizations, 1945–2011 by
Cover of the book Contrasts and Positions in Information Structure by
Cover of the book The Managerial Sources of Corporate Social Responsibility by
Cover of the book Case Studies in Adult Intensive Care Medicine by
Cover of the book The Cambridge Introduction to British Poetry, 1945–2010 by
Cover of the book China's Conservative Revolution by
Cover of the book The Great Divergence Reconsidered by
Cover of the book State Immunity in International Law by
Cover of the book The Islamic State in Britain by
Cover of the book Fundamentals of Nonparametric Bayesian Inference by
Cover of the book An Introduction to International Criminal Law and Procedure by
Cover of the book International Human Rights Law Documents by
Cover of the book Sociable Places by
Cover of the book The New Moon by
Cover of the book Language Conflict and Language Rights by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy