The Cambridge Companion to Eighteenth-Century Opera

Nonfiction, Entertainment, Music, Music Styles, Classical & Opera, Opera
Cover of the book The Cambridge Companion to Eighteenth-Century Opera by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781139801577
Publisher: Cambridge University Press Publication: June 25, 2009
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781139801577
Publisher: Cambridge University Press
Publication: June 25, 2009
Imprint: Cambridge University Press
Language: English

Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Reflecting a wide variety of approaches to eighteenth-century opera, this Companion brings together leading international experts in the field to provide a valuable reference source. Viewing opera as a complex and fascinating form of art and social ritual, rather than reducing it simply to music and text analysis, individual essays investigate aspects such as audiences, architecture of the theaters, marketing, acting style, and the politics and strategy of representing class and gender. Overall, the volume provides a synthesis of well established knowledge, reflects recent research on eighteenth-century opera, and stimulates further research. The reader is encouraged to view opera as a cultural phenomenon that can reveal aspects of our culture, both past and present. Eighteenth-century opera is experiencing continuing critical and popular success through innovative and provoking productions world-wide, and this Companion will appeal to opera goers as well as to students and teachers of this key topic.

More books from Cambridge University Press

Cover of the book Challenges to Religious Liberty in the Twenty-First Century by
Cover of the book Britain's Oceanic Empire by
Cover of the book Perspectives on Patentable Subject Matter by
Cover of the book Relativistic Cosmology by
Cover of the book Gas Turbine Emissions by
Cover of the book Greek Tragic Style by
Cover of the book Sparse Image and Signal Processing by
Cover of the book Assessment for Teaching by
Cover of the book Experimental Syntax and Island Effects by
Cover of the book Reassessing Paleolithic Subsistence by
Cover of the book Modeling Monetary Economies by
Cover of the book Digital Diasporas by
Cover of the book Cicero's De Finibus by
Cover of the book The Cambridge History of Postcolonial Literature by
Cover of the book The Real Chimpanzee by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy