The Bondboy, The Classic Western Novel

Fiction & Literature, Westerns
Cover of the book The Bondboy, The Classic Western Novel by George Ogden, Starling and Black
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Author: George Ogden ISBN: 1230000311747
Publisher: Starling and Black Publication: March 14, 2015
Imprint: Language: English
Author: George Ogden
ISBN: 1230000311747
Publisher: Starling and Black
Publication: March 14, 2015
Imprint:
Language: English

A man got out of the buggy and hitched his horse to one of the old gate-posts, first trying it to satisfy himself that it was trustworthy, for stability in even a post on those premises, where everything was going to decay, seemed unreasonable to expect. He turned up the path, bordered by blue flags, thrusting their swordpoints through the ground, and strode toward the house, with that uncouth giving at the knees which marks a man who long has followed the plow across furrowed fields.

The visitor was tall and bony, brown, dry-faced, and frowning of aspect. There was severity in every line of his long, loose body; in the hard wrinkles of his forehead, in his ill-nurtured gray beard, which was so harsh that it rasped like wire upon his coat as he turned his head in quick appraisement of his surroundings. His feet were bunion-distorted and lumpy in his great coarse shoes; coarse black hair grew down upon his broad, thick-jointed hands; a thicket of eyebrows presented, like a chevaux-de-frise, bristling when he drew them down in his peering squint.

Sarah Newbolt rose to meet him, tall in the vigor of her pioneer stock. In her face there was a malarial smokiness of color, although it still held a trace of a past brightness, and her meagerness of feature gave her mouth a set of determination 4 which stood like a false index at the beginning of a book or a misleading sign upon a door. Her eyes were black, her brows small and delicate. Back from her narrow forehead she had drawn her plentiful dark hair in rigid unloveliness; over it she wore a knitted shawl.

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A man got out of the buggy and hitched his horse to one of the old gate-posts, first trying it to satisfy himself that it was trustworthy, for stability in even a post on those premises, where everything was going to decay, seemed unreasonable to expect. He turned up the path, bordered by blue flags, thrusting their swordpoints through the ground, and strode toward the house, with that uncouth giving at the knees which marks a man who long has followed the plow across furrowed fields.

The visitor was tall and bony, brown, dry-faced, and frowning of aspect. There was severity in every line of his long, loose body; in the hard wrinkles of his forehead, in his ill-nurtured gray beard, which was so harsh that it rasped like wire upon his coat as he turned his head in quick appraisement of his surroundings. His feet were bunion-distorted and lumpy in his great coarse shoes; coarse black hair grew down upon his broad, thick-jointed hands; a thicket of eyebrows presented, like a chevaux-de-frise, bristling when he drew them down in his peering squint.

Sarah Newbolt rose to meet him, tall in the vigor of her pioneer stock. In her face there was a malarial smokiness of color, although it still held a trace of a past brightness, and her meagerness of feature gave her mouth a set of determination 4 which stood like a false index at the beginning of a book or a misleading sign upon a door. Her eyes were black, her brows small and delicate. Back from her narrow forehead she had drawn her plentiful dark hair in rigid unloveliness; over it she wore a knitted shawl.

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