The Blues Muse

Race, Gender, and Musical Celebrity in American Poetry

Fiction & Literature, Literary Theory & Criticism, Poetry History & Criticism, American
Cover of the book The Blues Muse by Emily Ruth Rutter, University of Alabama Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Emily Ruth Rutter ISBN: 9780817391973
Publisher: University of Alabama Press Publication: October 9, 2018
Imprint: University Alabama Press Language: English
Author: Emily Ruth Rutter
ISBN: 9780817391973
Publisher: University of Alabama Press
Publication: October 9, 2018
Imprint: University Alabama Press
Language: English

A critical analysis of the poetic representations and legacies of five landmark blues artists
 
The Blues Muse: Race, Gender, and Musical Celebrity in American Poetry focuses on five key blues musicians and singers—Gertrude “Ma” Rainey, Bessie Smith, Billie Holiday, Robert Johnson, and Lead Belly—and traces the ways in which these artists and their personas have been invoked and developed throughout American poetry. This study spans nearly one hundred years of literary and musical history, from the New Negro Renaissance to the present.
 
Emily Ruth Rutter structures the study around one pivotal understanding: however marginalized, poetry is a crucial medium for comprehending sociopolitical and cultural developments. Building from this idea, Rutter traces the evolution of the poetic invocation of blues muses through a succession of cultural eras, political climates, and artistic movements, asking how and why these protean blues figures change shape both within and across generations. Drawing on the work of poets Langston Hughes, Frank O’Hara, Amiri Baraka, Harryette Mullen, Terrance Hayes, and many more, as a guide, Rutter discusses topics such as the poetic renderings of black struggle, the constantly evolving notions of authenticity, and the portrayal of blues artists as heroic symbols of African American resistance.
 
The Blues Muse not only examines blues musicians as literary touchstones or poetic devices, but also investigates the relationship between poetic constructions of blues icons and shifting discourses of race and gender. Rutter’s nuanced analysis is clear, compelling, and rich in critical assessments of these writers’ portraits of the musical artists, attending to their strategies and oversights.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A critical analysis of the poetic representations and legacies of five landmark blues artists
 
The Blues Muse: Race, Gender, and Musical Celebrity in American Poetry focuses on five key blues musicians and singers—Gertrude “Ma” Rainey, Bessie Smith, Billie Holiday, Robert Johnson, and Lead Belly—and traces the ways in which these artists and their personas have been invoked and developed throughout American poetry. This study spans nearly one hundred years of literary and musical history, from the New Negro Renaissance to the present.
 
Emily Ruth Rutter structures the study around one pivotal understanding: however marginalized, poetry is a crucial medium for comprehending sociopolitical and cultural developments. Building from this idea, Rutter traces the evolution of the poetic invocation of blues muses through a succession of cultural eras, political climates, and artistic movements, asking how and why these protean blues figures change shape both within and across generations. Drawing on the work of poets Langston Hughes, Frank O’Hara, Amiri Baraka, Harryette Mullen, Terrance Hayes, and many more, as a guide, Rutter discusses topics such as the poetic renderings of black struggle, the constantly evolving notions of authenticity, and the portrayal of blues artists as heroic symbols of African American resistance.
 
The Blues Muse not only examines blues musicians as literary touchstones or poetic devices, but also investigates the relationship between poetic constructions of blues icons and shifting discourses of race and gender. Rutter’s nuanced analysis is clear, compelling, and rich in critical assessments of these writers’ portraits of the musical artists, attending to their strategies and oversights.

More books from University of Alabama Press

Cover of the book Lacan in Public by Emily Ruth Rutter
Cover of the book Ecosublime by Emily Ruth Rutter
Cover of the book Renaissance Man of Cannery Row by Emily Ruth Rutter
Cover of the book The Mound-Builders by Emily Ruth Rutter
Cover of the book Ad Hominem Arguments by Emily Ruth Rutter
Cover of the book Alabama in the Twentieth Century by Emily Ruth Rutter
Cover of the book Katherine Anne Porter Remembered by Emily Ruth Rutter
Cover of the book The Bird is Gone by Emily Ruth Rutter
Cover of the book Rabbi Max Heller by Emily Ruth Rutter
Cover of the book Wolfhounds and Polar Bears by Emily Ruth Rutter
Cover of the book Willa Cather and Material Culture by Emily Ruth Rutter
Cover of the book Grass Widow by Emily Ruth Rutter
Cover of the book Mississippian Polity and Politics on the Gulf Coastal Plain by Emily Ruth Rutter
Cover of the book Silence and Song by Emily Ruth Rutter
Cover of the book Acorns and Bitter Roots by Emily Ruth Rutter
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy