The Black Album: Writings on Art and Culture, Expanded 2nd Ed.

Nonfiction, Art & Architecture, General Art, Criticism, Popular Culture, Art History
Cover of the book The Black Album: Writings on Art and Culture, Expanded 2nd Ed. by Bradley Rubenstein, Meridian Art Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Bradley Rubenstein ISBN: 9781732221925
Publisher: Meridian Art Press Publication: May 15, 2019
Imprint: Language: English
Author: Bradley Rubenstein
ISBN: 9781732221925
Publisher: Meridian Art Press
Publication: May 15, 2019
Imprint:
Language: English

The Black Album: Writings on Art and Culture is a collection of writing by painter and writer Bradley Rubenstein. There was once a time when art, technology, science, and poetry collided with politics. Zola and Cézanne. Fénéon and Seurat. Balzac and Rodin. Jean Arp and Hans Arp. Anarchy and beauty combined. In our current moment it seems that we might be well served to remember this past; when art and culture are driven underground, new ideas emerge. Taking Joan Didion's collection of criticism, The White Album, as a point of reference, Bradley Rubenstein creates a new vocabulary for critiquing an age where art has wed technology, fiction has become reality, and images, like words, are not always meant to be trusted. Like Robert Smithson, Rubenstein eschews a personal writing style, instead using screenplays, poetry, science fiction, satire, and other genres styles to create a continuously changing narrative.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Black Album: Writings on Art and Culture is a collection of writing by painter and writer Bradley Rubenstein. There was once a time when art, technology, science, and poetry collided with politics. Zola and Cézanne. Fénéon and Seurat. Balzac and Rodin. Jean Arp and Hans Arp. Anarchy and beauty combined. In our current moment it seems that we might be well served to remember this past; when art and culture are driven underground, new ideas emerge. Taking Joan Didion's collection of criticism, The White Album, as a point of reference, Bradley Rubenstein creates a new vocabulary for critiquing an age where art has wed technology, fiction has become reality, and images, like words, are not always meant to be trusted. Like Robert Smithson, Rubenstein eschews a personal writing style, instead using screenplays, poetry, science fiction, satire, and other genres styles to create a continuously changing narrative.

More books from Art History

Cover of the book Tiffany by Bradley Rubenstein
Cover of the book The Artist's Guide to Public Art by Bradley Rubenstein
Cover of the book Al di là dell'impressionismo by Bradley Rubenstein
Cover of the book Lancaster by Bradley Rubenstein
Cover of the book The Mount Washington Cog Railway: Climbing the White Mountains of New Hampshire by Bradley Rubenstein
Cover of the book Daly City by Bradley Rubenstein
Cover of the book Paul Gaugin by Bradley Rubenstein
Cover of the book La Mêlée symboliste (Tome 3) by Bradley Rubenstein
Cover of the book La bontà e la malizia degli atti umani by Bradley Rubenstein
Cover of the book Women From the Ankle Down by Bradley Rubenstein
Cover of the book Humor, língua e linguagem: by Bradley Rubenstein
Cover of the book The Realism of Piero della Francesca by Bradley Rubenstein
Cover of the book Fleuve Congo. Arts d'Afrique centrale (Paris - 2010) by Bradley Rubenstein
Cover of the book Legendary Locals of Carlsbad by Bradley Rubenstein
Cover of the book Modern Architecture Through Case Studies 1945 to 1990 by Bradley Rubenstein
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy