The Beat Stops Here

Lessons on and off the Podium for Today's Conductor

Nonfiction, Entertainment, Music, Instruments & Instruction, Conducting, Theory & Criticism, Music Styles, Classical & Opera, Classical
Cover of the book The Beat Stops Here by Mark Gibson, Oxford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Mark Gibson ISBN: 9780190605902
Publisher: Oxford University Press Publication: January 26, 2017
Imprint: Oxford University Press Language: English
Author: Mark Gibson
ISBN: 9780190605902
Publisher: Oxford University Press
Publication: January 26, 2017
Imprint: Oxford University Press
Language: English

In The Beat Stops Here: Lessons on and off the Podium for Today's Conductor, master conductor Mark Gibson addresses the technique of conducting as an extension of intimate knowledge of the score to the hands and arms. He employs a variety of everyday activities and motions (brushing the dog, Tinkerbelle, the "door knob") to describe the physical aspects of the role. He advocates a comprehensive, detailed approach to score study, addressing major works bar-by-bar in terms of both musical analysis and conducting method. Finally, Gibson explores the various roles a conductor plays, as a teacher, a scholar and a member of the musical community. His writing is highly focused, with an occasionally tongue-in-cheek, discussing everything from motivic development in Brahms to how to hold a knife and fork in public. In short, The Beat Stops Here is a compendium of style and substance in the real world of today's conductor.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In The Beat Stops Here: Lessons on and off the Podium for Today's Conductor, master conductor Mark Gibson addresses the technique of conducting as an extension of intimate knowledge of the score to the hands and arms. He employs a variety of everyday activities and motions (brushing the dog, Tinkerbelle, the "door knob") to describe the physical aspects of the role. He advocates a comprehensive, detailed approach to score study, addressing major works bar-by-bar in terms of both musical analysis and conducting method. Finally, Gibson explores the various roles a conductor plays, as a teacher, a scholar and a member of the musical community. His writing is highly focused, with an occasionally tongue-in-cheek, discussing everything from motivic development in Brahms to how to hold a knife and fork in public. In short, The Beat Stops Here is a compendium of style and substance in the real world of today's conductor.

More books from Oxford University Press

Cover of the book Spanish in New York by Mark Gibson
Cover of the book Almost a Miracle:The American Victory in the War of Independence by Mark Gibson
Cover of the book Flawed Convictions by Mark Gibson
Cover of the book Paradiplomacy by Mark Gibson
Cover of the book Fighting to the End by Mark Gibson
Cover of the book Cardiac Imaging by Mark Gibson
Cover of the book Medical Experimentation by Mark Gibson
Cover of the book Migraine by Mark Gibson
Cover of the book Flammable : Environmental Suffering in an Argentine Shantytown by Mark Gibson
Cover of the book The Art of Digital Audio Recording : A Practical Guide for Home and Studio by Mark Gibson
Cover of the book Discourse and Practice by Mark Gibson
Cover of the book It's Only a False Alarm by Mark Gibson
Cover of the book Battle Cry of Freedom: The Civil War Era by Mark Gibson
Cover of the book New Order and Progress by Mark Gibson
Cover of the book Rethinking Reich by Mark Gibson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy