The Angel of Pain

Nonfiction, Religion & Spirituality, New Age, History, Fiction & Literature
Cover of the book The Angel of Pain by Edward Frederic Benson, Library of Alexandria
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Edward Frederic Benson ISBN: 9781465595928
Publisher: Library of Alexandria Publication: March 8, 2015
Imprint: Language: English
Author: Edward Frederic Benson
ISBN: 9781465595928
Publisher: Library of Alexandria
Publication: March 8, 2015
Imprint:
Language: English

THE garden lay dozing in the summer sun, a sun, too, that was really hot and luminous, worthy of mid-June, and Philip Home had paid his acknowledgments to its power by twice moving his chair into the shifting shade of the house, which stood with blinds drawn down, as if blinking in the brightness. Somewhere on the lawn below him, but hidden by the flower-beds of the terraced walk, a mowing-machine was making its clicking journeys to and fro, and the sound of it seemed to him to be extraordinarily consonant to the still heat of the afternoon. Entirely in character also with the day was the light hot wind that stirred fitfully among the garden beds as if it had gone to sleep there, and now and then turned over and made the flowers rustle and sigh. Huge Oriental poppies drooped their scarlet heads, late wall-flowers still sent forth their hot, homely odour, peonies blazed and flaunted, purple irises rivalled in their fading glories the budding stars of clematis that swarmed up the stone vases on the terrace, golden rain showered from the laburnums, lilacs stood thick in fragrant clumps and clusters. Canterbury bells raised spires of dry, crinkly blue, and forget-me-nots—nearly over—made a dim blue border to the glorious carpet of the beds. For the warm weather this year had come late but determinedly, spring flowers still lingered, and the later blossoms of early summer had been forced into premature appearance. This fact occupied Philip at this moment quite enormously. What would the garden be like in July? There must come a break somewhere, when the precious summer flowers were over, and before the autumn ones began. It was not unreasonable of him to be proud of his garden, for any garden-lover would here have recognised a master-hand. Below, in the thick clay that bordered the Thames, were the roses kept apart, with no weed, no other flower to pilfer their rightful monopoly of “richness.” A flight of twelve stone steps led up from this garden to the tennis lawn, a sheet of velvet turf, unbordered by any flowers to be trampled by ball-seekers, or to be respected by ball-losers. Above again where he sat now a deep herbaceous border ran round three sides of the gravelled space, in the middle of which a bronze fountain cast water over Nereids and aquatic plants, and behind him rose the dozing house, sun-blinds and rambler rose, jasmine and red bricks.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

THE garden lay dozing in the summer sun, a sun, too, that was really hot and luminous, worthy of mid-June, and Philip Home had paid his acknowledgments to its power by twice moving his chair into the shifting shade of the house, which stood with blinds drawn down, as if blinking in the brightness. Somewhere on the lawn below him, but hidden by the flower-beds of the terraced walk, a mowing-machine was making its clicking journeys to and fro, and the sound of it seemed to him to be extraordinarily consonant to the still heat of the afternoon. Entirely in character also with the day was the light hot wind that stirred fitfully among the garden beds as if it had gone to sleep there, and now and then turned over and made the flowers rustle and sigh. Huge Oriental poppies drooped their scarlet heads, late wall-flowers still sent forth their hot, homely odour, peonies blazed and flaunted, purple irises rivalled in their fading glories the budding stars of clematis that swarmed up the stone vases on the terrace, golden rain showered from the laburnums, lilacs stood thick in fragrant clumps and clusters. Canterbury bells raised spires of dry, crinkly blue, and forget-me-nots—nearly over—made a dim blue border to the glorious carpet of the beds. For the warm weather this year had come late but determinedly, spring flowers still lingered, and the later blossoms of early summer had been forced into premature appearance. This fact occupied Philip at this moment quite enormously. What would the garden be like in July? There must come a break somewhere, when the precious summer flowers were over, and before the autumn ones began. It was not unreasonable of him to be proud of his garden, for any garden-lover would here have recognised a master-hand. Below, in the thick clay that bordered the Thames, were the roses kept apart, with no weed, no other flower to pilfer their rightful monopoly of “richness.” A flight of twelve stone steps led up from this garden to the tennis lawn, a sheet of velvet turf, unbordered by any flowers to be trampled by ball-seekers, or to be respected by ball-losers. Above again where he sat now a deep herbaceous border ran round three sides of the gravelled space, in the middle of which a bronze fountain cast water over Nereids and aquatic plants, and behind him rose the dozing house, sun-blinds and rambler rose, jasmine and red bricks.

More books from Library of Alexandria

Cover of the book Les Muses de la Nouvelle France by Edward Frederic Benson
Cover of the book Tales from the German by Edward Frederic Benson
Cover of the book Barnabé Rudge (Complete) by Edward Frederic Benson
Cover of the book Apostolic Teaching and Constitutions by Edward Frederic Benson
Cover of the book Passionate Muriel by Edward Frederic Benson
Cover of the book The Shadow of Ashlydyat by Edward Frederic Benson
Cover of the book Lessons in the Art of Illuminating: A Series of Examples Selected from Works in the British Museum, Lambeth Palace Library and the South Kensington Museum by Edward Frederic Benson
Cover of the book Popular British Ballads, Ancient and Modern (Complete) by Edward Frederic Benson
Cover of the book From the Closed World to the Infinite Universe by Edward Frederic Benson
Cover of the book The Turnpike House by Edward Frederic Benson
Cover of the book El Mar by Edward Frederic Benson
Cover of the book Merry Go Down: A Gallery of Gorgeous Drunkards Through the Ages by Edward Frederic Benson
Cover of the book George Du Maurier: The Satirist of the Victorians by Edward Frederic Benson
Cover of the book Studies on Homer and the Homeric Age: Prolegomena, Achaeis or the Ethnology of the Greek Races, Olympus, Agore, Ilios, Thalassa, Aoidos (Complete) by Edward Frederic Benson
Cover of the book The Truth About the Congo: The Chicago Tribune Articles by Edward Frederic Benson
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy