Tequila, Senoritas and Teardrops

Musicians Discuss the Influence of Mexico on Country Music

Nonfiction, Entertainment, Music, History
Cover of the book Tequila, Senoritas and Teardrops by Adrian Peel, McFarland & Company, Inc., Publishers
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Author: Adrian Peel ISBN: 9781476617800
Publisher: McFarland & Company, Inc., Publishers Publication: December 24, 2014
Imprint: Language: English
Author: Adrian Peel
ISBN: 9781476617800
Publisher: McFarland & Company, Inc., Publishers
Publication: December 24, 2014
Imprint:
Language: English

With opinions and personal testimonies from the artists themselves, this book takes a detailed look at the huge impact that Mexican music and culture has had—and continues to have—on Country music in its various forms. This very American form of cultural expression has changed over the last few years, but Mexico—with its bordertowns, beaches, colonial architecture and ancient ruins conjuring up a range of powerful images—has remained an influential presence in Nashville, Texas, and even places like Australia and South Africa. Featuring contributions from Merle Haggard, Jimmy Buffett, Randy Travis, Dwight Yoakam, Jessi Colter, Johnny Rodriguez and Flaco Jimenez, this book reveals the unique and largely undocumented relationship between “America’s Music” and Mexico.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

With opinions and personal testimonies from the artists themselves, this book takes a detailed look at the huge impact that Mexican music and culture has had—and continues to have—on Country music in its various forms. This very American form of cultural expression has changed over the last few years, but Mexico—with its bordertowns, beaches, colonial architecture and ancient ruins conjuring up a range of powerful images—has remained an influential presence in Nashville, Texas, and even places like Australia and South Africa. Featuring contributions from Merle Haggard, Jimmy Buffett, Randy Travis, Dwight Yoakam, Jessi Colter, Johnny Rodriguez and Flaco Jimenez, this book reveals the unique and largely undocumented relationship between “America’s Music” and Mexico.

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