Subverting the Leviathan

Reading Thomas Hobbes as a Radical Democrat

Nonfiction, Religion & Spirituality, Philosophy, Political, Social & Cultural Studies, Political Science, Politics, History & Theory
Cover of the book Subverting the Leviathan by James Martel, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: James Martel ISBN: 9780231511483
Publisher: Columbia University Press Publication: October 12, 2007
Imprint: Columbia University Press Language: English
Author: James Martel
ISBN: 9780231511483
Publisher: Columbia University Press
Publication: October 12, 2007
Imprint: Columbia University Press
Language: English

In Leviathan, Thomas Hobbes's landmark work on political philosophy, James Martel argues that although Hobbes pays lip service to the superior interpretive authority of the sovereign, he consistently subverts this authority throughout the book by returning it to the reader.

Martel demonstrates that Hobbes's radical method of reading not only undermines his own authority in the text, but, by extension, the authority of the sovereign as well. To make his point, Martel looks closely at Hobbes's understanding of religious and rhetorical representation. In Leviathan, idolatry is not just a matter of worshipping images but also a consequence of bad reading. Hobbes speaks of the "error of separated essences," in which a sign takes precedence over the idea or object it represents, and warns that when the sign is given such agency, it becomes a disembodied fantasy leading to a "kingdom of darkness."

To combat such idolatry, Hobbes offers a method of reading in which one resists the rhetorical manipulation of figures and tropes and recognizes the codes and structures of language for what they are-the only way to convey a fundamental inability to ever know "the thing itself." Making the leap to politics, Martel suggests that following Hobbes's argument, the sovereign can also be seen as idolatrous-a separated essence-a figure who supplants the people it purportedly represents, and that learning to be better readers enables us to challenge, if not defeat, the authority of the sovereign.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

In Leviathan, Thomas Hobbes's landmark work on political philosophy, James Martel argues that although Hobbes pays lip service to the superior interpretive authority of the sovereign, he consistently subverts this authority throughout the book by returning it to the reader.

Martel demonstrates that Hobbes's radical method of reading not only undermines his own authority in the text, but, by extension, the authority of the sovereign as well. To make his point, Martel looks closely at Hobbes's understanding of religious and rhetorical representation. In Leviathan, idolatry is not just a matter of worshipping images but also a consequence of bad reading. Hobbes speaks of the "error of separated essences," in which a sign takes precedence over the idea or object it represents, and warns that when the sign is given such agency, it becomes a disembodied fantasy leading to a "kingdom of darkness."

To combat such idolatry, Hobbes offers a method of reading in which one resists the rhetorical manipulation of figures and tropes and recognizes the codes and structures of language for what they are-the only way to convey a fundamental inability to ever know "the thing itself." Making the leap to politics, Martel suggests that following Hobbes's argument, the sovereign can also be seen as idolatrous-a separated essence-a figure who supplants the people it purportedly represents, and that learning to be better readers enables us to challenge, if not defeat, the authority of the sovereign.

More books from Columbia University Press

Cover of the book Global Alert by James Martel
Cover of the book The Ethical Economy by James Martel
Cover of the book In Translation by James Martel
Cover of the book The Invention of Private Life by James Martel
Cover of the book The Merchant's Tale by James Martel
Cover of the book Dissenting Bodies by James Martel
Cover of the book Brains, Buddhas, and Believing by James Martel
Cover of the book Sufi Bodies by James Martel
Cover of the book The City Trilogy by James Martel
Cover of the book Faster, Pussycat! Kill! Kill! by James Martel
Cover of the book Bad Advice by James Martel
Cover of the book The Other Blacklist by James Martel
Cover of the book Cinema in the Digital Age by James Martel
Cover of the book The Cinema of Steven Spielberg by James Martel
Cover of the book The Bhāgavata Purāna by James Martel
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy