Subversive Ceramics

Nonfiction, Home & Garden, Antiques & Collectibles, Pottery & Ceramics, Art & Architecture, General Art
Cover of the book Subversive Ceramics by Claudia Clare, Bloomsbury Publishing
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Author: Claudia Clare ISBN: 9781474257978
Publisher: Bloomsbury Publishing Publication: April 21, 2016
Imprint: Herbert Press Language: English
Author: Claudia Clare
ISBN: 9781474257978
Publisher: Bloomsbury Publishing
Publication: April 21, 2016
Imprint: Herbert Press
Language: English

A Choice Outstanding Academic Title 2016

Satire has been used in ceramic production for centuries. Historically, it occurred as a slogan or proverb written into the ceramic surface; as pictorial surface imagery; or as a satirical figurine. The use of satire in contemporary ceramics is a rapidly evolving trend, with many artists subverting or otherwise rethinking familiar historic forms to make a political point.

Claudia Clare examines the relationship between ceramics, social politics, and political movements and the way both organisations and individual artists have used pots - predominantly domestic objects - to agitate among the masses or simply express their ideas. Ninety colour illustrations of various subversive, satirical and campaigning works illustrate her arguments and enliven debate.

Claudia Clare explores work by artists from twenty-one different countries, from 500 BC to the present day. These range range from the French artist Honoré Daumier and the enslaved African-American potter David Drake to contemporary artists including Lubaina Himid, Virgil Ortiz and Shlomit Bauman,
whose work and the means of its production has addressed or commented upon issues such as disputed homelands, identify, race, gender and colonialism.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A Choice Outstanding Academic Title 2016

Satire has been used in ceramic production for centuries. Historically, it occurred as a slogan or proverb written into the ceramic surface; as pictorial surface imagery; or as a satirical figurine. The use of satire in contemporary ceramics is a rapidly evolving trend, with many artists subverting or otherwise rethinking familiar historic forms to make a political point.

Claudia Clare examines the relationship between ceramics, social politics, and political movements and the way both organisations and individual artists have used pots - predominantly domestic objects - to agitate among the masses or simply express their ideas. Ninety colour illustrations of various subversive, satirical and campaigning works illustrate her arguments and enliven debate.

Claudia Clare explores work by artists from twenty-one different countries, from 500 BC to the present day. These range range from the French artist Honoré Daumier and the enslaved African-American potter David Drake to contemporary artists including Lubaina Himid, Virgil Ortiz and Shlomit Bauman,
whose work and the means of its production has addressed or commented upon issues such as disputed homelands, identify, race, gender and colonialism.

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