Stylistic Analysis of Robert Frost's 'The Secret Sits' and William Shakespeare's 'Sonnet 18'

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Stylistic Analysis of Robert Frost's 'The Secret Sits' and William Shakespeare's 'Sonnet 18' by Christoph Höbel, GRIN Publishing
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Author: Christoph Höbel ISBN: 9783640560219
Publisher: GRIN Publishing Publication: March 10, 2010
Imprint: GRIN Publishing Language: English
Author: Christoph Höbel
ISBN: 9783640560219
Publisher: GRIN Publishing
Publication: March 10, 2010
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 2004 in the subject English Language and Literature Studies - Linguistics, grade: 2,0, University of Trier (FB II Anglistik), course: Stylistics (of literary texts), language: English, abstract: The paper is divided in two parts: the first deals with the poem 'The Secret Sits' by Robert Frost. It tries to illustrate and state the aims of linguistic stylstics. The second and bigger part deals with a principle of Stylistics: Stylistics requires 'precision of reference to the text in support of a particular interpretation', and emphatically not 'precision of interpretation' (based on H.G. Widdowson). Starting from this principle the paper offers a stylistic interpretation of William Shakespeare's Sonnet 18.

2002-2009 Studium der Germanistik, Philosophie, Anglistik (Universität Trier) 2005-2006 Fremdsprachenassistent in England 2009-2012 Schuldienst 2012-heute Promotion in Philosophie (Antike politische Philosophie, Rhetorik)

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Seminar paper from the year 2004 in the subject English Language and Literature Studies - Linguistics, grade: 2,0, University of Trier (FB II Anglistik), course: Stylistics (of literary texts), language: English, abstract: The paper is divided in two parts: the first deals with the poem 'The Secret Sits' by Robert Frost. It tries to illustrate and state the aims of linguistic stylstics. The second and bigger part deals with a principle of Stylistics: Stylistics requires 'precision of reference to the text in support of a particular interpretation', and emphatically not 'precision of interpretation' (based on H.G. Widdowson). Starting from this principle the paper offers a stylistic interpretation of William Shakespeare's Sonnet 18.

2002-2009 Studium der Germanistik, Philosophie, Anglistik (Universität Trier) 2005-2006 Fremdsprachenassistent in England 2009-2012 Schuldienst 2012-heute Promotion in Philosophie (Antike politische Philosophie, Rhetorik)

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