Studio Shakespeare

The Royal Shakespeare Company at The Other Place

Fiction & Literature, Literary Theory & Criticism
Cover of the book Studio Shakespeare by Alycia Smith-Howard, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Alycia Smith-Howard ISBN: 9781351897228
Publisher: Taylor and Francis Publication: March 2, 2017
Imprint: Routledge Language: English
Author: Alycia Smith-Howard
ISBN: 9781351897228
Publisher: Taylor and Francis
Publication: March 2, 2017
Imprint: Routledge
Language: English

An extensive history of The Royal Shakespeare Company's studio theatre, Studio Shakespeare: The Royal Shakespeare Company at The Other Place also includes a biography of its founder and first artistic director, Mary Ann 'Buzz' Goodbody (1947-75). Alycia Smith-Howard reveals how, as a socialist, feminist, and the RSC's first female director, Goodbody sought to invigorate classical theatre and its approach to producing the works of Shakespeare. The Other Place, which opened its doors in 1973, was her greatest achievement, and was, in the words of Ron Daniels of the American Repertory Theatre, 'a training ground for an entire generation of Shakespeare actors and directors'. The volume examines Shakespeare productions at The Other Place from 1973 to its closure in 1989. The author's sources include Goodbody's 'Mission Statement' for the studio theatre as well as other previously unavailable materials such as Goodbody's private papers, journal entries, director's notes and correspondence. In addition, it contains interviews and commentary from such theatrical luminaries as Judi Dench, Ian McKellen, Ben Kingsley, Cicely Berry, Trevor Nunn, Peter Hall, Patrick Stewart, and many others. Smith-Howard's narrative discusses productions of twelve plays at The Other Place, among them King Lear (1974), Hamlet (1975), The Merchant of Venice (1978), Antony and Cleopatra (1982), King John (1988) and Othello (1989). The cast lists of productions at The Other Place are included in an appendix. Smith-Howard's study captures the spirit and ethos of an important and radical exercise in theatre which influenced the mainstream work of The Royal Shakespeare Company. It is a lucid, compelling and valuable contribution not only to Shakespeare studies but also to theatre history. This book, as directors once said, 'has legs'.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

An extensive history of The Royal Shakespeare Company's studio theatre, Studio Shakespeare: The Royal Shakespeare Company at The Other Place also includes a biography of its founder and first artistic director, Mary Ann 'Buzz' Goodbody (1947-75). Alycia Smith-Howard reveals how, as a socialist, feminist, and the RSC's first female director, Goodbody sought to invigorate classical theatre and its approach to producing the works of Shakespeare. The Other Place, which opened its doors in 1973, was her greatest achievement, and was, in the words of Ron Daniels of the American Repertory Theatre, 'a training ground for an entire generation of Shakespeare actors and directors'. The volume examines Shakespeare productions at The Other Place from 1973 to its closure in 1989. The author's sources include Goodbody's 'Mission Statement' for the studio theatre as well as other previously unavailable materials such as Goodbody's private papers, journal entries, director's notes and correspondence. In addition, it contains interviews and commentary from such theatrical luminaries as Judi Dench, Ian McKellen, Ben Kingsley, Cicely Berry, Trevor Nunn, Peter Hall, Patrick Stewart, and many others. Smith-Howard's narrative discusses productions of twelve plays at The Other Place, among them King Lear (1974), Hamlet (1975), The Merchant of Venice (1978), Antony and Cleopatra (1982), King John (1988) and Othello (1989). The cast lists of productions at The Other Place are included in an appendix. Smith-Howard's study captures the spirit and ethos of an important and radical exercise in theatre which influenced the mainstream work of The Royal Shakespeare Company. It is a lucid, compelling and valuable contribution not only to Shakespeare studies but also to theatre history. This book, as directors once said, 'has legs'.

More books from Taylor and Francis

Cover of the book Handbook of Critical Psychology by Alycia Smith-Howard
Cover of the book Constructing Narratives of Continuity and Change by Alycia Smith-Howard
Cover of the book Talking About Welfare by Alycia Smith-Howard
Cover of the book Never A Dull Moment by Alycia Smith-Howard
Cover of the book Goffman Unbound! by Alycia Smith-Howard
Cover of the book Alienation And Freedom by Alycia Smith-Howard
Cover of the book Correspondence of Sir Isaac Newton and Professor Cotes by Alycia Smith-Howard
Cover of the book Theatre of Movement and Gesture by Alycia Smith-Howard
Cover of the book Rising Consumer Materialism by Alycia Smith-Howard
Cover of the book The Works of Charles Darwin: v. 21: Descent of Man, and Selection in Relation to Sex (, with an Essay by T.H. Huxley) by Alycia Smith-Howard
Cover of the book Good Governance in China - A Way Towards Social Harmony by Alycia Smith-Howard
Cover of the book False Justice by Alycia Smith-Howard
Cover of the book The Methodologies of Art by Alycia Smith-Howard
Cover of the book Max Weber and Karl Marx by Alycia Smith-Howard
Cover of the book Entrepreneurship at the Bottom of the Pyramid by Alycia Smith-Howard
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy