Strip Cultures
Finding America in Las Vegas
Nonfiction, Travel, United States, West, Social & Cultural Studies, Social Science, Sociology, Urban
| Author: | The Project on Vegas The Project on Vegas | ISBN: | 9780822375234 |
| Publisher: | Duke University Press | Publication: | September 3, 2015 |
| Imprint: | Duke University Press Books | Language: | English |
| Author: | The Project on Vegas The Project on Vegas |
| ISBN: | 9780822375234 |
| Publisher: | Duke University Press |
| Publication: | September 3, 2015 |
| Imprint: | Duke University Press Books |
| Language: | English |
On the Las Vegas Strip, blockbuster casinos burst out of the desert, billboards promise "hot babes," actual hot babes proffer complimentary drinks, and a million happy slot machines ring day and night. It’s loud and excessive, but, as the Project on Vegas demonstrates, the Strip is not a world apart. Combining written critique with more than one hundred photographs by Karen Klugman, Strip Cultures examines the politics of food and water, art and spectacle, entertainment and branding, body and sensory experience. In confronting the ordinary on America’s most famous four-mile stretch of pavement, the authors reveal how the Strip concentrates and magnifies the basic truths and practices of American culture where consumerism is the stuff of life, digital surveillance annuls the right to privacy, and nature—all but destroyed—is refashioned as an element of decor.
On the Las Vegas Strip, blockbuster casinos burst out of the desert, billboards promise "hot babes," actual hot babes proffer complimentary drinks, and a million happy slot machines ring day and night. It’s loud and excessive, but, as the Project on Vegas demonstrates, the Strip is not a world apart. Combining written critique with more than one hundred photographs by Karen Klugman, Strip Cultures examines the politics of food and water, art and spectacle, entertainment and branding, body and sensory experience. In confronting the ordinary on America’s most famous four-mile stretch of pavement, the authors reveal how the Strip concentrates and magnifies the basic truths and practices of American culture where consumerism is the stuff of life, digital surveillance annuls the right to privacy, and nature—all but destroyed—is refashioned as an element of decor.
