Still

American Silent Motion Picture Photography

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Still by David S. Shields, University of Chicago Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: David S. Shields ISBN: 9780226013435
Publisher: University of Chicago Press Publication: June 18, 2013
Imprint: University of Chicago Press Language: English
Author: David S. Shields
ISBN: 9780226013435
Publisher: University of Chicago Press
Publication: June 18, 2013
Imprint: University of Chicago Press
Language: English

The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery.

 

Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names.

 

Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The success of movies like The Artist and Hugo recreated the wonder and magic of silent film for modern audiences, many of whom might never have experienced a movie without sound. But while the American silent movie was one of the most significant popular art forms of the modern age, it is also one that is largely lost to us, as more than eighty percent of silent films have disappeared, the victims of age, disaster, and neglect. We now know about many of these cinematic masterpieces only from the collections of still portraits and production photographs that were originally created for publicity and reference. Capturing the beauty, horror, and moodiness of silent motion pictures, these images are remarkable pieces of art in their own right. In the first history of still camera work generated by the American silent motion picture industry, David S. Shields chronicles the evolution of silent film aesthetics, glamour, and publicity, and provides unparalleled insight into this influential body of popular imagery.

 

Exploring the work of over sixty camera artists, Still recovers the stories of the photographers who descended on early Hollywood and the stars and starlets who sat for them between 1908 and 1928. Focusing on the most culturally influential types of photographs—the performer portrait and the scene still—Shields follows photographers such as Albert Witzel and W. F. Seely as they devised the poses that newspapers and magazines would bring to Americans, who mimicked the sultry stares and dangerous glances of silent stars. He uncovers scene shots of unprecedented splendor—visions that would ignite the popular imagination. And he details how still photographs changed the film industry, whose growing preoccupation with artistry in imagery caused directors and stars to hire celebrated stage photographers and transformed cameramen into bankable names.

 

Reproducing over one hundred and fifty of these gorgeous black-and-white photographs, Still brings to life an entire long-lost visual culture that a century later still has the power to enchant.

More books from University of Chicago Press

Cover of the book Foundations of Ecology by David S. Shields
Cover of the book Fragments and Assemblages by David S. Shields
Cover of the book The Little Magazine in Contemporary America by David S. Shields
Cover of the book Kuhn's 'Structure of Scientific Revolutions' at Fifty by David S. Shields
Cover of the book The Chicago Guide to Communicating Science by David S. Shields
Cover of the book Little Kisses by David S. Shields
Cover of the book Secular Faith by David S. Shields
Cover of the book The Dignity of Commerce by David S. Shields
Cover of the book Systematic Theology, Volume 1 by David S. Shields
Cover of the book Universalism without Uniformity by David S. Shields
Cover of the book Masters of Uncertainty by David S. Shields
Cover of the book The Gestation of German Biology by David S. Shields
Cover of the book Mayakovsky by David S. Shields
Cover of the book Nightwork by David S. Shields
Cover of the book The Great Derangement by David S. Shields
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy