Stendhal: La Chartreuse de Parme and Le Rouge et le Noir in the original French

Fiction & Literature, Classics
Cover of the book Stendhal: La Chartreuse de Parme and Le Rouge et le Noir in the original French by Stendhal, B&R Samizdat Express
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Stendhal ISBN: 9781455392827
Publisher: B&R Samizdat Express Publication: December 15, 2009
Imprint: Language: French
Author: Stendhal
ISBN: 9781455392827
Publisher: B&R Samizdat Express
Publication: December 15, 2009
Imprint:
Language: French
This file includes Stendhal's best-known novels: Le Rouge et Le Noir, 1830, and La Chartreuse de Parme, 1839, both in the original French. According to Wikipedia: "Marie-Henri Beyle (January 23, 1783 March 23, 1842), better known by his pen name Stendhal, was a 19th-century French writer. Known for his acute analysis of his characters' psychology, he is considered one of the earliest and foremost practitioners of realism in his two novels Le Rouge et le Noir (The Red and the Black, 1830) and La Chartreuse de Parme (The Charterhouse of Parma, 1839)... Contemporary readers did not fully appreciate Stendhal's realistic style during the Romantic period in which he lived; he was not fully appreciated until the beginning of the 20th century. He dedicated his writing to "the Happy Few." This is often interpreted as a dedication to the few who could understand his writing, or as a sardonic reference to the happy few who are born into prosperity (the latter interpretation is supported by the likely source of the quotation, Canto 11 of Byron's Don Juan, a frequent reference in the novel, which refers to "the thousand happy few" who enjoy high society), or as a reference to those who lived without fear or hatred. It may also refer, given Stendhal's experience of the Napoleonic wars, to the "we few, we happy few, we band of brothers" line of Shakespeare's Henry V. Today, Stendhal's works attract attention for their irony and psychological and historical dimensions. Stendhal was an avid fan of music, particularly the works of the composers Cimarosa, Mozart and Rossini. He wrote a biography about Rossini, Vie de Rossini (1824), now more valued for its wide-ranging musical criticism than for its historical content."
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
This file includes Stendhal's best-known novels: Le Rouge et Le Noir, 1830, and La Chartreuse de Parme, 1839, both in the original French. According to Wikipedia: "Marie-Henri Beyle (January 23, 1783 March 23, 1842), better known by his pen name Stendhal, was a 19th-century French writer. Known for his acute analysis of his characters' psychology, he is considered one of the earliest and foremost practitioners of realism in his two novels Le Rouge et le Noir (The Red and the Black, 1830) and La Chartreuse de Parme (The Charterhouse of Parma, 1839)... Contemporary readers did not fully appreciate Stendhal's realistic style during the Romantic period in which he lived; he was not fully appreciated until the beginning of the 20th century. He dedicated his writing to "the Happy Few." This is often interpreted as a dedication to the few who could understand his writing, or as a sardonic reference to the happy few who are born into prosperity (the latter interpretation is supported by the likely source of the quotation, Canto 11 of Byron's Don Juan, a frequent reference in the novel, which refers to "the thousand happy few" who enjoy high society), or as a reference to those who lived without fear or hatred. It may also refer, given Stendhal's experience of the Napoleonic wars, to the "we few, we happy few, we band of brothers" line of Shakespeare's Henry V. Today, Stendhal's works attract attention for their irony and psychological and historical dimensions. Stendhal was an avid fan of music, particularly the works of the composers Cimarosa, Mozart and Rossini. He wrote a biography about Rossini, Vie de Rossini (1824), now more valued for its wide-ranging musical criticism than for its historical content."

More books from B&R Samizdat Express

Cover of the book Life of George Washington by Marshall, Lodge, and Thayer, all 8 volumes by Stendhal
Cover of the book Expositions of Holy Scripture: Isaiah and Jeremiah by Stendhal
Cover of the book Explorations in Australia by Stendhal
Cover of the book Dick o' the Fens, A Tale of the Great Eastern Swamp by Stendhal
Cover of the book Works of Jonathan Edwards, volume 2 of 2: by Stendhal
Cover of the book Solomon by Stendhal
Cover of the book The Myth of Hiawatha and Other Oral Legends, Mythologic and Allegoric of the North American Indians (1856) by Stendhal
Cover of the book Deaconesses in Europe and Their Lessons for America by Stendhal
Cover of the book The Bee-Man of Orn and Other Fanciful Tales by Stendhal
Cover of the book The Two Supercargoes, Adventures in Savage Africa by Stendhal
Cover of the book The Story of a Lamb on Wheels by Stendhal
Cover of the book Caesar and Cleopatra by Stendhal
Cover of the book Jupiter Lights, a Novel by Stendhal
Cover of the book L'Argent, from the Rougon-Macquart series of novels, in the original French by Stendhal
Cover of the book The Life and Acts of Martin Luther by Stendhal
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy