Stael’s Philosophy of the Passions

Sensibility, Society and the Sister Arts

Fiction & Literature, Literary Theory & Criticism, European, Nonfiction, History, France
Cover of the book Stael’s Philosophy of the Passions by Tili Boon Cuillé, Karyna Szmurlo, Bucknell University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Tili Boon Cuillé, Karyna Szmurlo ISBN: 9781611484731
Publisher: Bucknell University Press Publication: December 27, 2012
Imprint: Bucknell University Press Language: English
Author: Tili Boon Cuillé, Karyna Szmurlo
ISBN: 9781611484731
Publisher: Bucknell University Press
Publication: December 27, 2012
Imprint: Bucknell University Press
Language: English

Sensibility, or the capacity to feel, played a vital role in philosophical reflection about the natural sciences, the social sciences, and the arts in eighteenth-century France. Yet scholars have privileged the Marquis de Sade’s vindication of physiological sensibility as the logical conclusion of Enlightenment over Germaine de Staël’s exploration of moral sensibility’s potential for reform and renewal that paved the way for Romanticism. This volume of essays showcases Staël’s contribution to the “affective revolution” in Europe, investigating the personal and political circumstances that informed her theory of the passions and the social and aesthetic innovations to which it gave rise. Contributors move seamlessly between her political, philosophical, and fictional works, attentive to the relationship between emotion and cognition and aware of the coherence of her thought on an individual, national, and international scale. They first examine the significance Staël attributed to pity, happiness, melancholy, and enthusiasm in The Influence of the Passions as she witnessed revolutionary strife and envisioned the new republic. They then explore her development of a cosmopolitan aesthetic, in such works as On Literature, Corinne, or Italy, On Germany, and The Spirit of Translation, that transcended traditional generic, national, and linguistic boundaries. Finally, they turn to her contributions to the visual and musical arts as she deftly negotiated the transition from a Neoclassical to a Romantic aesthetic. Staël’s Philosophy of the Passions concludes that, rather than founding a republic based on the rights of man, Staël’s reflection fostered international communities of women (artists, models, and collectors; authors, performers, and spectators), enabling them to participate in the re-articulation of sociocultural values in the wake of the French Revolution.

Contributors: Tili Boon Cuillé, Catherine Dubeau, Nanette Le Coat, Christine Dunn Henderson, Karen de Bruin, M. Ione Crummy, Jennifer Law-Sullivan, Lauren Fortner Ravalico, C. C. Wharram, Kari Lokke, Susan Tenenbaum, Mary D. Sheriff, Heather Belnap Jensen, Fabienne Moore, Julia Effertz

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Sensibility, or the capacity to feel, played a vital role in philosophical reflection about the natural sciences, the social sciences, and the arts in eighteenth-century France. Yet scholars have privileged the Marquis de Sade’s vindication of physiological sensibility as the logical conclusion of Enlightenment over Germaine de Staël’s exploration of moral sensibility’s potential for reform and renewal that paved the way for Romanticism. This volume of essays showcases Staël’s contribution to the “affective revolution” in Europe, investigating the personal and political circumstances that informed her theory of the passions and the social and aesthetic innovations to which it gave rise. Contributors move seamlessly between her political, philosophical, and fictional works, attentive to the relationship between emotion and cognition and aware of the coherence of her thought on an individual, national, and international scale. They first examine the significance Staël attributed to pity, happiness, melancholy, and enthusiasm in The Influence of the Passions as she witnessed revolutionary strife and envisioned the new republic. They then explore her development of a cosmopolitan aesthetic, in such works as On Literature, Corinne, or Italy, On Germany, and The Spirit of Translation, that transcended traditional generic, national, and linguistic boundaries. Finally, they turn to her contributions to the visual and musical arts as she deftly negotiated the transition from a Neoclassical to a Romantic aesthetic. Staël’s Philosophy of the Passions concludes that, rather than founding a republic based on the rights of man, Staël’s reflection fostered international communities of women (artists, models, and collectors; authors, performers, and spectators), enabling them to participate in the re-articulation of sociocultural values in the wake of the French Revolution.

Contributors: Tili Boon Cuillé, Catherine Dubeau, Nanette Le Coat, Christine Dunn Henderson, Karen de Bruin, M. Ione Crummy, Jennifer Law-Sullivan, Lauren Fortner Ravalico, C. C. Wharram, Kari Lokke, Susan Tenenbaum, Mary D. Sheriff, Heather Belnap Jensen, Fabienne Moore, Julia Effertz

More books from Bucknell University Press

Cover of the book Modernity's Metonyms by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book Effeminate Years by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book Afro-Cuban Identity in Post-Revolutionary Novel and Film by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book The Discourse of Flanerie in Antonio Muñoz Molina’s Texts by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book Elena Garro and Mexico's Modern Dreams by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book Writing Teresa by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book James Arbuckle by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book Santayana the Philosopher by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book Studies in Ephemera by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book Imperial Tapestries by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book Ambivalent Desires by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book Novel Bodies by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book New World Literacy by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book Don't Whisper Too Much and Portrait of a Young Artiste from Bona Mbella by Tili Boon Cuillé, Karyna Szmurlo
Cover of the book John Banville by Tili Boon Cuillé, Karyna Szmurlo
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy