Spenserian satire

A tradition of indirection

Fiction & Literature, Literary Theory & Criticism, European
Cover of the book Spenserian satire by Rachel E. Hile, Manchester University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Rachel E. Hile ISBN: 9781526107862
Publisher: Manchester University Press Publication: January 1, 2017
Imprint: Manchester University Press Language: English
Author: Rachel E. Hile
ISBN: 9781526107862
Publisher: Manchester University Press
Publication: January 1, 2017
Imprint: Manchester University Press
Language: English

Scholars of Edmund Spenser have focused much more on his accomplishments in epic and pastoral than his work in satire. Scholars of early modern English satire almost never discuss Spenser. However, these critical gaps stem from later developments in the canon rather than any insignificance in Spenser's accomplishments and influence on satiric poetry. This book argues that the indirect form of satire developed by Spenser served during and after Spenser's lifetime as an important model for other poets who wished to convey satirical messages with some degree of safety. The book connects key Spenserian texts in The Shepheardes Calender and the Complaints volume with poems by a range of authors in the late sixteenth and early seventeenth centuries, including Joseph Hall, Thomas Nashe, Tailboys Dymoke, Thomas Middleton and George Wither, to advance the thesis that Spenser was seen by his contemporaries as highly relevant to satire in Elizabethan England.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Scholars of Edmund Spenser have focused much more on his accomplishments in epic and pastoral than his work in satire. Scholars of early modern English satire almost never discuss Spenser. However, these critical gaps stem from later developments in the canon rather than any insignificance in Spenser's accomplishments and influence on satiric poetry. This book argues that the indirect form of satire developed by Spenser served during and after Spenser's lifetime as an important model for other poets who wished to convey satirical messages with some degree of safety. The book connects key Spenserian texts in The Shepheardes Calender and the Complaints volume with poems by a range of authors in the late sixteenth and early seventeenth centuries, including Joseph Hall, Thomas Nashe, Tailboys Dymoke, Thomas Middleton and George Wither, to advance the thesis that Spenser was seen by his contemporaries as highly relevant to satire in Elizabethan England.

More books from Manchester University Press

Cover of the book US politics today by Rachel E. Hile
Cover of the book The Factory in a Garden by Rachel E. Hile
Cover of the book Centre-left parties and the European Union by Rachel E. Hile
Cover of the book From entertainment to citizenship by Rachel E. Hile
Cover of the book South African performance and archives of memory by Rachel E. Hile
Cover of the book Workers and revolution in Serbia by Rachel E. Hile
Cover of the book Poetry for historians by Rachel E. Hile
Cover of the book The European Union's fight against terrorism by Rachel E. Hile
Cover of the book A matter of intelligence by Rachel E. Hile
Cover of the book Payment and philanthropy in British healthcare, 1918–48 by Rachel E. Hile
Cover of the book How to save politics in a post-truth era by Rachel E. Hile
Cover of the book Beginning film studies by Rachel E. Hile
Cover of the book Mad Money by Rachel E. Hile
Cover of the book Male voices on women's rights by Rachel E. Hile
Cover of the book The challenge of defending Britain by Rachel E. Hile
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy