Spectacle in Classical Cinemas

Musicality and Historicity in the 1930s

Nonfiction, History, France, Americas, United States, 20th Century
Cover of the book Spectacle in Classical Cinemas by Tom Brown, Taylor and Francis
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Author: Tom Brown ISBN: 9781317527046
Publisher: Taylor and Francis Publication: August 11, 2015
Imprint: Routledge Language: English
Author: Tom Brown
ISBN: 9781317527046
Publisher: Taylor and Francis
Publication: August 11, 2015
Imprint: Routledge
Language: English

Spectacle is not often considered to be a significant part of the style of ‘classical’ cinema. Indeed, some of the most influential accounts of cinematic classicism define it virtually by the supposed absence of spectacle. Spectacle in ‘Classical’ Cinemas: Musicality and Historicity in the 1930s brings a fresh perspective on the role of the spectacular in classical sound cinema by focusing on one decade of cinema (the 1930s), in two ‘modes’ of filmmaking (musical and historical films), and in two national cinemas (the US and France). This not only brings to light the special rhetorical and affective possibilities offered by spectacular images but refines our understanding of what ‘classical’ cinema is and was.

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Spectacle is not often considered to be a significant part of the style of ‘classical’ cinema. Indeed, some of the most influential accounts of cinematic classicism define it virtually by the supposed absence of spectacle. Spectacle in ‘Classical’ Cinemas: Musicality and Historicity in the 1930s brings a fresh perspective on the role of the spectacular in classical sound cinema by focusing on one decade of cinema (the 1930s), in two ‘modes’ of filmmaking (musical and historical films), and in two national cinemas (the US and France). This not only brings to light the special rhetorical and affective possibilities offered by spectacular images but refines our understanding of what ‘classical’ cinema is and was.

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