Speaking of Prussians - The Original Classic Edition

Finally available, a high quality book of the original classic edition of Speaking of Prussians. It was previously published by other bona fide publishers, and is now, after many years, back in print.

This is a new and freshly published edition of this culturally important work by Irvin S. (Irvin Shrewsbury) Cobb, which is now, at last, again available to you.

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Enjoy this classic work today. These selected paragraphs distill the contents and give you a quick look inside Speaking of Prussians:

Look inside the book:

And it was on the day when I first saw the lion, with his jaws adrip, coming down the highroads, typified in half a million fighting men—men whose sole business in life was to fight, and who knew their business as no other people everPg 19 have known it—that in one flash of time I decided I wanted my country to quit being lamb-like, not because the lion was a pleasing figure before mine eyes, but because for the first time I realised that, so long as there are lions, sooner or later must come oppression and annihilation for the nation which persists in being one of the lambs. ...We have got to remember, then, that the Germany with which we have broken is not the Germany of Heine and Goethe and Haeckel and Beethoven; not the Germany which gave us Steuben in the Revolutionary War, and Sigel and Schurz in the Civil War; not the Germany of the chivalrous, lovable Saxon, or yet of the music-loving, home-loving Bavarian; not the Germany which was the birthplace of the kindly, honourable, industrious, patriotic German-speaking neighbour round the corner from you—but the fanatical, tyrannical, power-mad, blood-and-iron Prussianised Germany of Bismarck and Von Bernhardi, of the Crown Prince and the Junkers—that passionate Prussianised Germany which for forty years through the instrumentality of its ruling classes—not necessarily its Kaiser, but its real ruling classes—has been jealously striving to pervert every native ounce of its scientific and its inventive and its creative genius out of the paths of progress and civilisation and to jam it into thePg 39 grooves of the greatest autocratic machine, the greatest organism for killing off human beings, the greatest engine of misbegotten and misdirected efficiency that was ever created in the world.

About Irvin S. (Irvin Shrewsbury) Cobb, the Author:

In deference to the faith of our dear mother who was through her lifetime a loyal though never bigoted communicant of that congregation, perhaps the current pastor of the First Presbyterian Church would consent to read the Twenty-third Psalm, which was her favorite passage in the Scriptures and is mine since it contains no charnel words, no morbid mouthings about corruption and decay and, being mercifully without creed or dogma, carries no threat of eternal hell-fire for those parties we do not like, no direct promise of a heaven which, if one may judge by the people who are surest of going there, must be a powerfully dull place, populated to a considerable and uncomfortable degree by prigs, time-servers and unpleasantly aggressive individuals. ...Lovecraft's The Shadow Over Innsmouth, while 'The Unbroken Chain' was a model for Lovecraft's 'The Rats in the Walls'. The former was described by Lovecraft as 'banefully effective in its portrayal of unnatural affinities between a hybrid idiot and the strange fish of an isolated lake' in his essay Supernatural Horror in Literature.