Space and Being in Contemporary French Cinema

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book Space and Being in Contemporary French Cinema by James S. Williams, Manchester University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: James S. Williams ISBN: 9781526102225
Publisher: Manchester University Press Publication: November 1, 2015
Imprint: Manchester University Press Language: English
Author: James S. Williams
ISBN: 9781526102225
Publisher: Manchester University Press
Publication: November 1, 2015
Imprint: Manchester University Press
Language: English

This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. Foregrounding the centrality of space and spatial identity within both the French cinematic tradition and modern French thought, Space and Being in Contemporary French Cinema proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. If cinema, it argues, shows us both the process of physical space becoming formal space and the world becoming the world, then to destabilise the cinematic frame is potentially to rediscover the material world afresh. Accessible and wide-ranging, this volume examines our contemporary experience of perception and subjectivity and suggests that cinema extends ethically the parameters of the visual field when it engages directly with space as a multi-dimensional and multi-sensory experience. The book opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser)

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book brings together for the first time five French directors who have established themselves as among the most exciting and significant working today: Bruno Dumont, Robert Guédiguian, Laurent Cantet, Abdellatif Kechiche, and Claire Denis. Whatever their chosen habitats or shifting terrains, each of these highly distinctive auteurs has developed unique strategies of representation and framing that reflect a profound investment in the geophysical world. Foregrounding the centrality of space and spatial identity within both the French cinematic tradition and modern French thought, Space and Being in Contemporary French Cinema proposes that we think about cinematographic space in its many different forms simultaneously (screenspace, landscape, narrative space, soundscape, spectatorial space). Through a series of close and original readings of selected films, it posits a new 'space of the cinematic subject'. If cinema, it argues, shows us both the process of physical space becoming formal space and the world becoming the world, then to destabilise the cinematic frame is potentially to rediscover the material world afresh. Accessible and wide-ranging, this volume examines our contemporary experience of perception and subjectivity and suggests that cinema extends ethically the parameters of the visual field when it engages directly with space as a multi-dimensional and multi-sensory experience. The book opens up new areas of critical enquiry in the expanding interdisciplinary field of space studies. It will be of immediate interest to students and researchers working not only in film studies and film philosophy, but also in French/Francophone studies, postcolonial studies, gender and cultural studies. Listen to James S. Williams speaking about his book http://bit.ly/13xCGZN. (Copy and paste the link into your browser)

More books from Manchester University Press

Cover of the book Iraqi women in Denmark by James S. Williams
Cover of the book From Prosperity to Austerity by James S. Williams
Cover of the book The Labour Party and the world, volume 2 by James S. Williams
Cover of the book Sex, politics and empire by James S. Williams
Cover of the book Men on trial by James S. Williams
Cover of the book The Europeanisation of Conflict Resolutions by James S. Williams
Cover of the book The Great Labour Unrest by James S. Williams
Cover of the book Occupational health and social estrangement in China by James S. Williams
Cover of the book ‘Who the Devil taught thee so much Italian?’ by James S. Williams
Cover of the book Biblical women in early modern literary culture, 1550–1700 by James S. Williams
Cover of the book Scottish cinema by James S. Williams
Cover of the book David Lean by James S. Williams
Cover of the book Beckett on Screen by James S. Williams
Cover of the book Women and ETA by James S. Williams
Cover of the book Robespierre and the Festival of the Supreme Being by James S. Williams
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy