Sontag and the Camp Aesthetic

Advancing New Perspectives

Nonfiction, Reference & Language, Language Arts, Communication
Cover of the book Sontag and the Camp Aesthetic by Barbara Jane Brickman, Emily Deering Crosby, Tim Cusack, Bruce E. Drushel, Robert Kellerman, Lauren Levitt, Hannah Lynn, Elizabeth M. Melton, Olivia Oliver-Hopkins, Michael V. Perez, Brian M. Peters, Chris Philpot, Thomas Piontek, Carl Schottmiller, Lexington Books
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Author: Barbara Jane Brickman, Emily Deering Crosby, Tim Cusack, Bruce E. Drushel, Robert Kellerman, Lauren Levitt, Hannah Lynn, Elizabeth M. Melton, Olivia Oliver-Hopkins, Michael V. Perez, Brian M. Peters, Chris Philpot, Thomas Piontek, Carl Schottmiller ISBN: 9781498537773
Publisher: Lexington Books Publication: February 15, 2017
Imprint: Lexington Books Language: English
Author: Barbara Jane Brickman, Emily Deering Crosby, Tim Cusack, Bruce E. Drushel, Robert Kellerman, Lauren Levitt, Hannah Lynn, Elizabeth M. Melton, Olivia Oliver-Hopkins, Michael V. Perez, Brian M. Peters, Chris Philpot, Thomas Piontek, Carl Schottmiller
ISBN: 9781498537773
Publisher: Lexington Books
Publication: February 15, 2017
Imprint: Lexington Books
Language: English

Sontag and the Camp Aesthetic: Advancing New Perspectives marks 50 years of writing and cultural production on the phenomenon of camp since Susan Sontag’s 1964 cornerstone essay “Notes on ‘Camp’.” It provides cutting-edge theory and understanding on ways to read and interpret camp through a collection of essays from historical, theoretical, and cultural perspectives. It includes varied subject areas including camp icons, stylistics periods, and important and representative texts from television, film, and literature. These essays create a scholarly conversation that understands camp as not only signifier or aesthetic but also a language, mode, and style that goes beyond its initial linguistic and semiotic guise. The contributors, representing a diverse group of established and rising scholars, explore camp as a largely queer genre that includes varying modes of understanding of desire and of the self outside a hegemonic model of heteronormativity.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Sontag and the Camp Aesthetic: Advancing New Perspectives marks 50 years of writing and cultural production on the phenomenon of camp since Susan Sontag’s 1964 cornerstone essay “Notes on ‘Camp’.” It provides cutting-edge theory and understanding on ways to read and interpret camp through a collection of essays from historical, theoretical, and cultural perspectives. It includes varied subject areas including camp icons, stylistics periods, and important and representative texts from television, film, and literature. These essays create a scholarly conversation that understands camp as not only signifier or aesthetic but also a language, mode, and style that goes beyond its initial linguistic and semiotic guise. The contributors, representing a diverse group of established and rising scholars, explore camp as a largely queer genre that includes varying modes of understanding of desire and of the self outside a hegemonic model of heteronormativity.

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