Sonic Technologies

Popular Music, Digital Culture and the Creative Process

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, Reference
Cover of the book Sonic Technologies by Robert Strachan, Bloomsbury Publishing
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Author: Robert Strachan ISBN: 9781501310645
Publisher: Bloomsbury Publishing Publication: January 12, 2017
Imprint: Bloomsbury Academic Language: English
Author: Robert Strachan
ISBN: 9781501310645
Publisher: Bloomsbury Publishing
Publication: January 12, 2017
Imprint: Bloomsbury Academic
Language: English

Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018

In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Awarded a Certificate of Merit at the ARSC Awards for Excellence 2018

In the past two decades digital technologies have fundamentally changed the way we think about, make and use popular music. From the production of multimillion selling pop records to the ubiquitous remix that has become a marker of Web 2.0, the emergence of new music production technologies have had a transformative effect upon 21st Century digital culture. Sonic Technologies examines these issues with a specific focus upon the impact of digitization upon creativity; that is, what musicians, cultural producers and prosumers do. For many, music production has moved out of the professional recording studio and into the home. Using a broad range of examples ranging from experimental electronic music to more mainstream genres, the book examines how contemporary creative practice is shaped by the visual and sonic look and feel of recording technologies such as Digital Audio Workstations.

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