Sonic Space in Djibril Diop Mambety's Films

Nonfiction, Entertainment, Performing Arts, Film
Cover of the book Sonic Space in Djibril Diop Mambety's Films by Vlad Dima, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Vlad Dima ISBN: 9780253024336
Publisher: Indiana University Press Publication: January 9, 2017
Imprint: Indiana University Press Language: English
Author: Vlad Dima
ISBN: 9780253024336
Publisher: Indiana University Press
Publication: January 9, 2017
Imprint: Indiana University Press
Language: English

The art of Senegalese director Djibril Diop Mambety’s cinema lies in the tension created between the visual narrative and the aural narrative. His work has been considered hugely influential, and his films bridge Western practices of filmmaking and oral traditions from West Africa. Mambety’s film Touki Bouki is considered one of the foundational works of African cinema. Vlad Dima proposes a new reading of Mambety’s entire filmography from the perspective of sound. Following recent analytical patterns in film studies that challenge the primacy of the visual, Dima claims that Mambety uses voices, noise, and silence as narrative tools that generate their own stories and sonic spaces. By turning an ear to cinema, Dima pushes African aesthetics to the foreground of artistic creativity and focuses on the critical importance of sound in world cinema.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The art of Senegalese director Djibril Diop Mambety’s cinema lies in the tension created between the visual narrative and the aural narrative. His work has been considered hugely influential, and his films bridge Western practices of filmmaking and oral traditions from West Africa. Mambety’s film Touki Bouki is considered one of the foundational works of African cinema. Vlad Dima proposes a new reading of Mambety’s entire filmography from the perspective of sound. Following recent analytical patterns in film studies that challenge the primacy of the visual, Dima claims that Mambety uses voices, noise, and silence as narrative tools that generate their own stories and sonic spaces. By turning an ear to cinema, Dima pushes African aesthetics to the foreground of artistic creativity and focuses on the critical importance of sound in world cinema.

More books from Indiana University Press

Cover of the book Paprika, Foie Gras, and Red Mud by Vlad Dima
Cover of the book Neil Young and the Poetics of Energy by Vlad Dima
Cover of the book The Weakness of God by Vlad Dima
Cover of the book Reasoning from Faith by Vlad Dima
Cover of the book Tyrannosaurid Paleobiology by Vlad Dima
Cover of the book The Generals’ War by Vlad Dima
Cover of the book European Muslim Antisemitism by Vlad Dima
Cover of the book General Jacob Devers by Vlad Dima
Cover of the book The National Environmental Policy Act by Vlad Dima
Cover of the book Balkan Blues by Vlad Dima
Cover of the book Making Sense of Intersex by Vlad Dima
Cover of the book Deep Maps and Spatial Narratives by Vlad Dima
Cover of the book New Humanitarianism and the Crisis of Charity by Vlad Dima
Cover of the book The Event by Vlad Dima
Cover of the book Encountering Morocco by Vlad Dima
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy