Singing Jeremiah

Music and Meaning in Holy Week

Nonfiction, Entertainment, Music, Music Styles, Religious, Theory & Criticism, History & Criticism, Reference
Cover of the book Singing Jeremiah by Robert L. Kendrick, Indiana University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Robert L. Kendrick ISBN: 9780253011626
Publisher: Indiana University Press Publication: May 5, 2014
Imprint: Indiana University Press Language: English
Author: Robert L. Kendrick
ISBN: 9780253011626
Publisher: Indiana University Press
Publication: May 5, 2014
Imprint: Indiana University Press
Language: English

A defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. In this study of ritual and music, Robert L. Kendrick investigates the impact of the music used during the Paschal Triduum on European cultures during the mid-16th century, when devotional trends surrounding liturgical music were established; through the 17th century, which saw the diffusion of the repertory at the height of the Catholic Reformation; and finally into the early 18th century, when a change in aesthetics led to an eventual decline of its importance. By considering such issues as stylistic traditions, trends in scriptural exegesis, performance space, and customs of meditation and expression, Kendrick enables us to imagine the music in the places where it was performed.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

A defining moment in Catholic life in early modern Europe, Holy Week brought together the faithful to commemorate the passion, crucifixion, and resurrection of Jesus Christ. In this study of ritual and music, Robert L. Kendrick investigates the impact of the music used during the Paschal Triduum on European cultures during the mid-16th century, when devotional trends surrounding liturgical music were established; through the 17th century, which saw the diffusion of the repertory at the height of the Catholic Reformation; and finally into the early 18th century, when a change in aesthetics led to an eventual decline of its importance. By considering such issues as stylistic traditions, trends in scriptural exegesis, performance space, and customs of meditation and expression, Kendrick enables us to imagine the music in the places where it was performed.

More books from Indiana University Press

Cover of the book Mr. Penrose by Robert L. Kendrick
Cover of the book Darwin's On the Origin of Species by Robert L. Kendrick
Cover of the book Bernissart Dinosaurs and Early Cretaceous Terrestrial Ecosystems by Robert L. Kendrick
Cover of the book Girl with Death Mask by Robert L. Kendrick
Cover of the book The Grand Scribe's Records, Volume X by Robert L. Kendrick
Cover of the book What Is Fiction For? by Robert L. Kendrick
Cover of the book Aesthetics as Phenomenology by Robert L. Kendrick
Cover of the book Good Girls & Wicked Witches by Robert L. Kendrick
Cover of the book Dance and the Music of J. S. Bach, Expanded Edition by Robert L. Kendrick
Cover of the book Everyday Life in Central Asia by Robert L. Kendrick
Cover of the book Transition 115 by Robert L. Kendrick
Cover of the book Disloyal Mothers and Scurrilous Citizens by Robert L. Kendrick
Cover of the book Ecologies of Faith in New York City by Robert L. Kendrick
Cover of the book The Arab Revolts by Robert L. Kendrick
Cover of the book Negative Theology as Jewish Modernity by Robert L. Kendrick
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy